Dimitri Krassoulia-Vronsky

Jonathan Littell revived Monteverdi’s baroque and decadent opera L’incoronazione di Poppea in a modern and fantastic production. From allusions to the Roman era, to the Renaissance and modern age, Little twists shamelessly Monteverdi’s score to highlight the dialogues and create a background music. The Coronation shatters the film-opera’s cliché only to better put it back together, with patience and clockwork precision.

A lonely mother and her son go to the opera where a performance of Cherubini’s opera Medea is given. It is the mother’s birthday and she wanted to surprise her son by inviting him to the opera. But, the son’s plan were different and he is quite upset about it. His mother tries to break the silent barrier behind which he hides. A semblance of discussion begins, not without humour. Tension is present but, as the performance goes on, both find themselves astounded, captured, alone in the opera house.

Franck is a soccer agent. Today, he's picking up Adama at the airport, a promising young Malian goalkeeper, to sign his first professional contract.

In the middle of summer 2001, in a small village in Burgundy, a film crew was about to shoot the first images of Jean Luc Gromer's new film, when suddenly the camera was torn from its foot and stolen by two young local teenagers: Joe and Patrice.

The beach. Everything is there for everyone to enjoy. Only the ocean disagrees.

Jean-Gabriel Périot sketches the portrait of a group of women for whom music is a means of resistance and of escaping isolation.

A documentary view of the galas of Paris’s Palais Garnier in the 1950s and ’60s.

Lazare lives with a roommate, Jacques, his best friend. Jacques decides to organize a date for Lazare, and contact a woman, Céline, through a meeting application. The ring bells.