Mariam Haque

A young nurse, a visionary scientist and an innovative surgeon face opposition from the church, state, media and medical establishment, in their pursuit of the world’s first ‘test tube baby’, Louise Joy Brown.

Benjamin, a rising star filmmaker, is on the brink of premiering his difficult second film No Self at the London Film Festival when Billie, his hard drinking publicist, introduces him to a mesmeric French musician called Noah.

India is surging with global ambition. But beyond the luxury hotels surrounding Mumbai airport lies a makeshift slum, full of people with plans of their own. Zehrunisa and her son Abdul aim to recycle enough rubbish to fund a proper house. Sunil, twelve and stunted, wants to eat until he’s as tall as Kalu the thief. Asha seeks to steal government anti-poverty funds to turn herself into a ‘first-class person’, while her daughter Manju intends to become the slum’s first female graduate. But their schemes are fragile; global recession threatens the garbage trade, and another slum-dweller is about to make an accusation that will destroy herself and shatter the neighbourhood.

1659 Mughal, India. Two brothers, Dara and Aurangzeb, are both heirs to the Muslim empire. Dara, the crown prince, has the love of the people – and of his emperor father – but younger brother Aurangzeb holds a different vision for India’s future. Now they fight ferociously for succession.

Three Plebs join the army in peace-time, hoping to win respect, romance and military discounts at selected restaurants. But when war's declared they're sent to fight on the front line of a Roman legion for a cause they don't believe in. Now their main interest is the struggle for survival.

When a travelling fair comes to Scatterbrook, Worzel tells John and Susan the legend of a fair with an enchanted organ that sends humans to sleep so scarecrows can enjoy the rides without being seen.

Returning home from battle, the victorious Macbeth meets three witches on the heath. Driven by their disturbing prophecies, he sets out on the path to murder. This contemporary production of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the company.

A young man, Stevie, awakes on a wasteland overlooking Bradford, still bleeding from a brutal attack that has left him with severe memory loss. Recent events are a total blank; his more distant memories are a blur. He slowly begins to piece together his identity: his name, his home, his family. At first it appears he returns to his former self but through a series of painful flashbacks and encounters, he comes to learn of the dark and disturbing events that led to his beating. Ashamed to learn of the person he has become – and the dangerous world he became mixed up in – Stevie realises he will have to pay. But at what price?