Rodolfo Mederos

Through important testimonies, the director Miguel Rodríguez Arias intends to reveal facts that intertwine the life of the singer with that of his people. His desires, his virtues, his defects and his defeats. It is the story of a captivating voice, the reflection of a soul that transcends borders and languages with its art.

A portrait of the courageous efforts of Argentine grandmothers to locate their missing grandchildren, victims of state terrorism during the late 1970s and early 1980s. Some were kidnapped, others were born in captivity. The film includes interviews with military personnel and grandchildren who were found and reunited with their families.

Osvaldo Pugliese transcended the world, created his own style in tango and became a saint against bad luck for musicians. In the film, his daughter, granddaughter, musicians and fans retrace his steps to unveil this mystery.

The citizen music performed on the bandoneon serves as a poetic framework to talk about a Buenos Aires that little by little is disappearing.

Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.

A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.

Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by