Valeri Smolyakov

A ghost and a French marquis wander through the Winter Palace in St Petersburg, encountering scenes from many different periods of its history.

Young KGB agents investigate a complex murder case with several suspects.

The Hound of the Baskervilles is a 1981 Soviet film adaptation of Arthur Conan Doyle's novel The Hound of the Baskervilles. It was the third installment in the TV series about adventures of Sherlock Holmes and Doctor Watson. A potent streak of humour ran through the film as concerns references to traditional British customs and stereotypes, ensuring the film's popularity with several generations of Russophone viewers. Other features of this best entry in the series include excellent exterior shots which closely match the novel's setting in the Dartmoor marshland, as well as an all-star cast: in addition to the famous Livanov -Solomin duo as Holmes and Watson, the film stars the internationally acclaimed actor/director Nikita Mikhalkov as Sir Henry Baskerville and the Russian movie legend Oleg Yankovsky as the villain Stapleton.

A group of people setting out to find a previously assumed land and upon reaching it, not knowing how to deal with the customs of the place, have to deal with all the consequences.

At 20, Tonya gave birth to a daughter — alone, without a husband. At 30 — personal happiness became an unattainable dream. She devoted herself to her beloved daughter. But at the age of 40, life seemed to make a circle and return to its starting point. There is nothing left to lose — which means you can take a chance, start all over again. Mom is married for the first time, and it’s hard for a selfish daughter to put up with this...

Film-biography of Waclaw Worowski, a Moscow-born Pole turned Soviet revolutionary extremist.

Set in the Soviet Union, the film is a chronicle of a life of one successful artist: his family, his friends, his clients, and his artworks.

Ivan Mazaev finds out that some children were left behind in a sinking school, and is slowly driven mad as he tries to save them. A parable on the theme of The Last Judgment, numerous catastrophic events reveal a certain ambiguity in their origins, accompanied by the terrible suspicion that the things going on are some kind of a performance or theatrical production.