Valery Kostrin

The heiress of a gem mage travels to St. Petersburg to fulfill her father's dream and her destiny.

Twenty-year-old Bob rides 1000 km to Moscow on his vintage motorbike to collect a bad debt for his boss; the city chews up and spits out this naive country boy, whose head is full of Easy Rider dreams.

The setting is the east shore of the Caspian Sea (today's Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalised and then demobbed, he sets off home to join his wife, only to be caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, "convinces" Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Abdullah's harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue fleeing Abdullah.Sukhov and women from Abdullah's harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town...

In December 1825, distinguished members of the Russian military, most of whom were quite affluent and of noble lineage, took it upon themselves to stir revolution against the autocratic and tyrannical Czar Nikolai I in the wake of his not honoring the drafting of a constitution for the Russian people. The revolution failed miserably and the conspirators (known as the Decembrists) were weeded out by the czar himself. One by one, each of the conspirators confess and are systematically exiled to the harsh winters of Siberia, slated to work and wither in a prison/mine. The wives of the conspirators are faced with the prospect of leaving the bosom of wealth and family (including their own children) to be with their husbands in the brutal Siberian locale. If they agree to this, they face having their illustrious social stations stripped away and certain disdain from everyone around them...

Two Russian soldiers, one battle-seasoned and the other barely into his boots and uniform, are taken prisoner by an anxious Islamic father from a remote village hoping to trade them for his captured son.

After his wife left him for another man, Andrey unsuccessfully tried to found a new woman. Meanwhile, he found an orphan which was looking for his mother.

Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' (Olesha) speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' (Platonov) captures its haunting grotesquery.