Wilhelm Iben

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.

Michael Niavarani is constantly late, he says, and constantly pressed for time. Someone else should organize his books—like Thomas Mraz, who appears with him on stage in "Encyclopaedia Niavaranica." They organize Niavarani alphabetically.

Two police officers, Roli and Ferdinand, control the road users on WIener Höhenstraße. You are literally on the border between town and country.

Director Gotz Spielmann follows his acclaimed thriller Revanche with this visually captivating character study, in which a family reunion at a mountainside inn lays bare old wounds and reveals long-held secrets.

According to an African fairy tale, every child receives a song from their parents that they carry with them throughout their lives. Richard, an orphaned Tanzanian immigrant, has never had his own song. How he got one before his unexpected death and the significant, though unintended, roles played by the dark-tourism entrepreneur Drakuhl, the gray-haired hair model Barney and the heavy-drinking music teacher Kiesel won't be revealed here. Merely that the song Dead Man Play becomes an international hit.

Does luck have a use by date? Both thought that at eighty they have experienced everything until, like a bolt of lightening, Rosa and Bruno come together and immediately fall head over heels. There are two obstacles to their happiness though: Bruno’s marriage, which has long been routine, and Rosa’s illness; she has cancer and not long left to live. Despite the difficult circumstances, the two decide to breakaway – Bruno from his relationship and Rosa from her retirement home. Against the advice of carers, doctors and relatives, the pair moves into a new apartment together. ANFANG 80 shows with a great deal of unequivocal humour how insensitively and sometimes desperately overburdened society reacts to love among the elderly.

The death of Ottakring's last godfather and the encounter with a very clever young woman unintentionally turn the clever crook Sammy into the business-minded driving force of an Austrian parallel world in the midst of the global economic crisis.