Ophélie Bazillou

Philibert, a robust lad and eldest son of an artichoke farmer, stands out from the other boys in the village. Idealistic and ingenuous, he foresees for himself a glorious future in artichokes and is saving his virginity for an as-yet-unknown woman chosen for him by God. Before he dies, his father tells him that he isn't his real parent. Philibert's real father was a gentleman murdered in the most cowardly way by a man from Burgundy who is recognisable by a rose-shaped strawberry birthmark on his neck. With a pouch full of ideals and artichokes, Philibert leaves his village and gallops towards Burgundy, accompanied by Martin, his rather deceitful manservant. Philibert's courage, kindness, physical and moral purity will thus be severely tested when faced with the baseness and venality of villains and the temptation of women each more lustful than the last.

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.

Daniel Schwartz is humouriste. Trash tendency. He does his show all over France. It is a great success. But Daniel is tired and alone. Is there a woman ready to share his solitude? A woman or two?