Atsushi Yamamura

Three social outcasts who live near the seaside interact with each other in increasingly disturbing ways. The trio of characters are a woman who has killed her sister, a man who enjoys necrophilia, and a female amnesiac. The first woman engages in sadistic pursuits such as capturing young women at the beach to force them to engage in sexual activities, including copulation with a horse and a dog.

Fukami is a high school janitor whose father was a gangster. He works at the school as a janitor instead of belonging to the gang so he can watch out for Yui, the daughter of his deceased father's brother Majima Yoshiki. One day, a gang feud erupts and Yoshiki is killed. Yui becomes the next target.

In 1978, at the Kyoto nightclub "Barami," Ryuji Kagawa (Toru Minegishi), boss of the Yamada-gumi, was gunned down. The man targeting the leader of Japan's largest organization was Wataru Naruse (Kazuyoshi Ozawa) of the Nihon Makoto-kai. This is the story of a reckless conflict—likened to "ants" challenging a "giant elephant"—as men, seeking vengeance for their boss, the first president of the Nihon Makoto-kai, Katsuichi Yoshimura (Hitoshi Ozawa), take on Japan's largest organization.

When a greedy family pockets their son's disability payments with no intention of repaying their loan, Ando hatches a plan to get his money back.

After the shocking death of former Seiun-kai chairman, "Oni" Shima Shu (Hiroki Matsukata), Yuuki Mishima (Yuta Sone) takes on the role of Seiun-kai chairman, aiming to expand his clan constructively. Meanwhile, his cousin Atsushi (Junichi Kawamoto), impulsive and violent, continues to keep Kanto on the verge of conflict, though Yuuki manages to avoid war. Amidst all this, the Kansai-based Tatsumi-gumi's lieutenant, Yamanaka (Ryuji Harada), secretly plots to expand into Tokyo. With clashing intentions, internal divisions, and an external threat encroaching, the true mastermind who controls it all smiles in the shadows... Thus concludes this epic yakuza saga!

Hitori Gekidan gets off a crew bus, assuming he will participate in a travel program. He overhears people in the monitoring room announce the beginning of the "24 Hour Kiss Pressure Game." He is then assaulted by attractive actresses pleading for a kiss as well as deadly mercenaries and zombies attempting to kidnap him. Soon he grasps his character and situation. He is Shogo Kawashima aka The Desert Reaper and he is on the run with Aoi Tsukasa (Aoi Tsukasa). For unknown reasons, the Red Shadow, who raised him, wants him back.

Ryo Masuda is a washed up adult video director without a leading actress. Now, he has to find someone to re-place her quick, so he can produce his latest low budget S&M video. When the young Yukie appears to turn the production into an unexpected hit, Ryo becomes drawn to the world of sadomasochism and his newfound star.

Pink film distributed by Shintoho Pictures.

Fuyuko, a magazine reporter, receives information of a "Curse Dial". If you enter your name and phone number into the "Cursed Message Dial," and when you get an answer, tell the name of the person you want to kill within 10 seconds, and that person will die.

A religious company under the teaching of Rei Shindo has been engaged in missionary activities. Among this, the brother of Miki, who wanted to take off his sister, has been looking for help.

Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.

When a lowly thug gets brought into a powerful Yakuza gang by his successful younger brother, he is tasked to take the hit on a rival gang leader.

After his wife and child committed suicide, Sasaki was so shocked that he quit his job and has been living a modest life painting. Then, by chance, he meets up with an old colleague and heads to the home of his colleague's wife, Sachiko, who is waiting for him. In fact, Sachiko and Sasaki have been having an affair for a long time, and that day they have sex next to their colleague as he sleeps. Sasaki also begins to have a physical relationship with Sachiko's younger sister.

When a friend from his yakuza past gets released from prison, a loan shark and his former-male-host sidekick help the ex-con get back on his feet.

Sometimes, yakuza must face shrewd civilians even more cunning than themselves, armed only with ethics. What are the 'negotiation tactics' you can learn from yakuza beyond fights and threats!? The unparalleled negotiation skills of the yakuza, refined to perfection, are now revealed!!

After serving a term in prison because of shooting the leader of the rival group, Goro finds out that his fellow Yakuza Shiroyama, left the group and living as a normal people.

An isolated resort lures a host of individuals looking to fulfill their desires and sexual fantasies

　A sequel to "Destroy the Evil", it follows the protagonist of the previous film, who is pursued by the yakuza and moves to a rural town in Chiba. The story concludes with a tragic ending, but as the title "Keep running, keep running!" At the end of the film, there is an image shot of the protagonists who continue to run, as the title suggests, and this is a strong statement to the director himself and to the audience.

In a gritty coastal town, scandal and perverse desire ignite a relentless spiral of illicit encounters. The tale centers on Tamayo Mochizuki, a married woman whose secret trysts with her lover Yoshiyuki unfold in a secluded, rocky cove—while a group of lecherous onlookers spy with voyeuristic glee, tossing crude, provocative remarks. As passion intensifies, the rendezvous devolves into a chaotic melee of lust, sex and betrayal; what begins as daring escapades quickly darkens into brutal power plays where forbidden desire and violence blur. Amid raucous seaside parties and seething rivalries, erotic debauchery unravels in a night marked by twisted seduction, intense sexual acts, shocking coercion, and the irrevocable shattering of lives by uncontrolled, corrupt passion.

In the yakuza world, where 'conflict,' 'prison sentences,' and 'death' are ever-present threats, the leader’s responsibility is immense, and their leadership skills are honed to perfection. To develop motivated subordinates and unite the organization, the key ingredient is undeniably 'charisma!' How do these bosses acquire their 'charisma'!? The highly popular 'Learn from the Yakuza' series continues with its fourth installment!!

A popular high school student, who is good at sports and studies, must suppress kissing for 24 hours.

Shinji, who has been writing a screenplay that is not going to be made into a movie, has a girlfriend who is a model. One day Shinji receives a call from the husband of his old lover Yoko, and goes to see her. When he meets Yoko again after five years, he cannot resist embracing her. A sensual film of love and jealousy, directed by and starring Kazuhiro Sano.

Noriko is an ex-prostitute married to Satake, a charismatic, wise-cracking lady-loving Yakuza. But when Satake is called upon to murder a rival, Noriko must take up the mantle to lead his gang.

"Evening Drink Style" (Banshaku no Ryugi) is a popular Japanese drama about Miyuki Izawa's ritual of crafting the perfect meal to pair with her end-of-day drink, often beer, emphasizing simple pleasures, moderation, home cooking, and work-life balance, a concept resonating with viewers seeking relaxing, relatable content with culinary inspiration. It's known for its calming vibe, focus on delicious food pairings (like lamb with soy-ginger sauce), and promoting a healthy approach to enjoying alcohol.

A healing drama where troubled women visit a store called 'KIRAMEKI' where handsome therapists perform treatments while behaving like a lover.

Two coworkers from a camping gear company find connection and tranquility as they explore peaceful, hidden landscapes on weekend adventures.