Edmond Bernhard

However impressive the site is, however bossy the guides are, the visitors of the Musée Napoléon listen only absent-mindedly. Does this young lady really care about the tragic destiny of emperor Napoleon or Europe's changing face or isn't she more interested in her won reflection in a window case? And isn't the camera operator more prone to film the cornet wimples of visiting nuns than the fossilized remains of Napoleon's fallen grandeur...?

Filmic essai on different chess methods combined with an adapted sound setting made in collaboration with chess grandmaster Alberic O'Kelly de Galway. Voted for in the Sight & Sound 2022 Greatest Films of All Time poll.

Is this documentary actually about the magnificent palace of Beloeil, owned for generations by the princes of Ligne and about its splendid park? Or is it about those who visit it and those who having fun in its park on a Saturday afternoon? Both actually, because Edmond Bernhard never visits a place without taking an interest in the people present there.

Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)

Following the example of an entomologist watching the behavior of insects Edmond Bernhard scrutinizes the doings and the words of a priest - assisted by his choirboys - in the process of saying his mass.