François Carron

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

When a ship bringing a contingent of international wounded from Korea is torpedoed, three women (two nurses and a secretary) and a male journalist survive and reach a lonely island in a boat. Soon desire erupts among them, but jealousy, lust and madness lead the events to tragedy.

Fedora swears to avenge the death of her fiancé, Prince Yarischkine, killed by Ipanoff who fled to Paris. She finds Ipanoff whom she falls in love with and he confesses to having killed her fiancé because Yarischkine was his wife's lover. But learning that her brother was executed because of Fedora, Ipanoff leaves her. Fedora commits suicide.

A local man raised two boys. One is his son and the other is that of a rich industrialist, to get the bonus to the unhappy father, he gives his own son a lazy scoundrel, to the tearful father and decides to keep the other boy, but the truth does not soon to burst.

A village in the French Alps is rocked by a series of crimes, including the theft of a sacred ring and the murder of a man dressed as Père Noël (Father Christmas).

Bob Stanley was an American secret agent during World War II in France. After the war Stanley returns to France as a consul. In reality, he works for the FBI, to roll up the organization that manufactures fake U.S. dollars. A violent confrontation is insurmountable.

Carmen is a French-Italian musical drama film directed by Christian-Jaque and starring Viviane Romance, Jean Marais, and Lucien Coëdel. It is a version of the famous opera. It was filmed in two versions, French and Italian, with the same screen cast but some different crew, and with Italian voices dubbed in on the Italian version, which have been munged together at IMDb. A third version, with English dubbed under the direction of British actor Noel Howlett, was made subsequently using one of the two (French or Italian) originals for the visual source.

His aunt hopes to make this young aristocrat an honored soldier. But the colonel has it out for him.Will the new recruit be able to adapt to military life?