François Carron

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

A village in the French Alps is rocked by a series of crimes, including the theft of a sacred ring and the murder of a man dressed as Père Noël (Father Christmas).

Fedora swears to avenge the death of her fiancé, Prince Yarischkine, killed by Ipanoff who fled to Paris. She finds Ipanoff whom she falls in love with and he confesses to having killed her fiancé because Yarischkine was his wife's lover. But learning that her brother was executed because of Fedora, Ipanoff leaves her. Fedora commits suicide.

A local man raised two boys. One is his son and the other is that of a rich industrialist, to get the bonus to the unhappy father, he gives his own son a lazy scoundrel, to the tearful father and decides to keep the other boy, but the truth does not soon to burst.

When a ship bringing a contingent of international wounded from Korea is torpedoed, three women (two nurses and a secretary) and a male journalist survive and reach a lonely island in a boat. Soon desire erupts among them, but jealousy, lust and madness lead the events to tragedy.

A man of integrity, Monsieur Pic is the accountant beyond reproach of the Banque Universelle. He would not dream of doing anything wrong and everybody knows it. He is therefore justly indignant when a wealthy woman offers him the position of administrator in the whorehouse she is opening soon. But only fools never change their minds and if Monsieur Pic finally accepts the position in the house across the Banque Universelle, he has three good reasons for that: first he does not get the promotion he deserved ; second, his son Albert is hired by Madame Anna as a decorator ; third, Hortense, his daughter has expressed the wish to "work" there too. The good point is that, once in the place, Pic will be rewarded for what he is worth. Even more important, the unfortunate father will be able there to keep a close eye on his two wayward children and protect them from temptation.

Carmen is a French-Italian musical drama film directed by Christian-Jaque and starring Viviane Romance, Jean Marais, and Lucien Coëdel. It is a version of the famous opera. It was filmed in two versions, French and Italian, with the same screen cast but some different crew, and with Italian voices dubbed in on the Italian version, which have been munged together at IMDb. A third version, with English dubbed under the direction of British actor Noel Howlett, was made subsequently using one of the two (French or Italian) originals for the visual source.

Bob Stanley was an American secret agent during World War II in France. After the war Stanley returns to France as a consul. In reality, he works for the FBI, to roll up the organization that manufactures fake U.S. dollars. A violent confrontation is insurmountable.