Kadir

The story of the love of Doyok (Doyok) and Kadir (Kadir) for the sisters Rosa (Ayu Azhari) and Ira (Kiki Fatmala). The young women’s family does not approve of their relationships, so the two men try to figure out a way to get around this. This manipulation continues as Rosa and Ira join their parents for a family holiday in Puncak. Doyok and Kadir show up in Puncak posing as a rich man and his son who are looking for land to purchase. In the end the orchestrations of these four lovers are found out

Fifi (Paramitha Rusady) runs away from home as she does not want to marry the man chosen for her by her parents. She then meets Kadir (Kadir), an honest but unlucky young man, who has come to Jakarta with his younger brother, Doyok (Doyok Sudarmadji), to try their fortune. Failing, Doyok returns alone to his village. Kadir also goes home to the village, but with Fifi. But as a city person from a rich family, she is not used to the village life. Kadir keeps working for her, such as selling frogs, which is a mistake as the frogs he sells are not edible. The inedible frog becomes a big joke. Finally, Kadir and Fifi return to the city just when Fifi is going to be engaged to Tomo (Rudy Salam), her parents’ intended. But Fifi is already in love with Kadir. Kadir leaves because he does not want to be insulted, but Fifi goes after him and runs away from home.

Robby disapproves of Doyok, his only son, becoming an artist. He sends Doyok to Yogyakarta to continue his studies while staying at the home of Uncle Simon (Robert Syarief). Doyok talks his friend Kadir into posing as Doyok himself and going with him to Yogyakarta. Once Kadir is accepted into Simon’s household as Doyok, it becomes very clear that the discipline there is really tough because Simon was formerly a member of the Indonesian Armed Forces. In the meantime, Doyok meets up with Rina (Yayik Artikandi), his girlfriend, who gets him a job as a taxi driver. However, this masquerade is uncovered when Robby shows up in Yogyakarta to check on how his son Doyok is doing.

Hara (Robert Syarief) does not approve of the relationships of his daughters, Rosa (Lia Waroka) and Ira (Kiki Fatmala), with Kadir (Kadir) and Doyok (Doyok Sudarmadji). However, eventually, because the persistent young men appear to be serious, Harja eventually agrees to allow Kadir and Doyok to prove that they are financially independent enough to make it on their own. The two young men then scramble to try to find a way to make some money. First, they try working in a bakery, then they gets jobs as cooks, and then at a poultry farm, etc. They fail at everything they try. A sub storyline tells about Abud (Fuad Alkhar) who is extremely eager to get married.

Kadir and Doyok come to Jakarta looking for jobs. They run up against massive challenges due to their own lack of abilities. After they fail a magicians. They try becoming salesmen, then house painters, and then parking attendants. Finally, Rosa (Baby Zelvia), Kadir’s cousin, tries to help them, but, as usual, the whole thing comes to naught.

The film tells the story of a middle-class young man named Dendy who is rich and lives in a big house with a driver and a loyal servant.

Kadir and Doyok never have any luck. They always get fired from any job they take. Most recently, Kadir and Doyok had been working at a company owned by the father of Lola (Diah Permatasari), but were going to be fired by the new owner, Abud (Fuad Alkhar), who had taken over the company. Kadir-Doyok then asked Lola why her father had sold the company to Abud, and it turns out that Abud had conned her father. Kadir and Doyok then try to expose the fraud. They succeed mostly because they happen to intercept a phone call meant for Abud.

In this sequel, Anita and her husband, Rio, are offered to act in a film. Kadir, their housekeeper, wants to join in. Their neighbour, Tati, and her housekeeper, Doyok, also want to join in. Rio, Anita, and Kadir pass the selection, after deceiving Tati and Doyok. Then a misunderstanding happens. Rio, Anita, and Kadir are misconstrued as having a fight when they are actually rehearsing a scene. Meanwhile Tati, who often uses the phone at Rio’s house to contact the director, is suspected of having an affair, leading to more comedy of errors. It seems to be an intention to criticize the film industry.