Peter Fitz

Acting

Peter Fitz

Born August 8, 1931 · Kaiserslautern, Germany

Died January 10, 2013 · aged 81

Peter Fitz (8 August 1931 - 10 January 2013) was a German stage and film actor. Fitz completed an apprenticeship at the drama school of the Deutsches Schauspielhaus in Hamburg in the 1950s. In the 1960s, engagements at the Schauspiel Frankfurt theatre followed. Director Peter Stein brought him into the ensemble of the Berlin Schaubühne theatre, where he worked under the direction of Stein as well…

Known For

Werckmeister HarmoniesWerckmeister Harmonies · 2001
Werckmeister Harmonies
7.92001
MovieDrama
A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.
Au Revoir les EnfantsAu Revoir les Enfants · 1987
Au Revoir les Enfants
7.51987
MovieDramaWar
Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
Conversation with the BeastConversation with the Beast · 1997
Conversation with the Beast
10.01997
MovieComedy
An American historian (Mr Webster) comes to Berlin to visit an old man who claims to be the real Adolf Hitler and to be 103 years old. The Hitler who died in 1945, the old man says, was just one of his six doubles - one for each weekday - while Hitler himself retired into a bunker below the S-Bahn tracks and married a second time.
FlirtFlirt · 1996
Flirt
6.21996
MovieDramaRomance
The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a "permanent" relationship, what do they choose to do?
Die MörderinDie Mörderin · 1999
Die Mörderin
4.31999
MovieThrillerMystery
2323 · 1998
23
6.81998
MovieDramaThriller
The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB.
SoundlessSoundless · 2004
Soundless
6.32004
MovieThrillerCrime
Viktor, a methodical hit man, probably on his last job, has no plan for his retirement. He does not kill Nina, a woman sleeping beside his latest mark; then he follows her and rescues her from an attempted suicide. Nina is attracted to him, but also wants to know who he is. Her pursuit of his identity crosses the investigation of Lang, a brilliant police investigator who tries to inhabit the minds of the victims and the killer. Viktor's employer also wants to kill Viktor and his contact, an aging arms dealer and family friend. Does Viktor have a future?
Heimweh nach drübenHeimweh nach drüben · 2007
Heimweh nach drüben
2007
MovieComedy
This TV movie focuses on an average East German citizen, who accidentally becomes a Cold War victim. Shortly before his wedding day, East German Stephan Busemann goes to West Germany to attend his brother Hubert's fiftieth birthday. At the same time, his son Martin and his daughter-in-law Bettina flee their communist home country in a balloon, what Stephan didn't know. As the East Germans believe he helped them to escape, he isn't allowed to return, so Martin writes a letter to the country's leader Erich Honecker. However, now the West Germans think that Stephan is a spy.

Filmography

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PraterPrater · 2007
Prater
5.82007
MovieDocumentary
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

Narrator

WundkanalWundkanal · 1984
Wundkanal
6.71984
MovieDrama
An old man is kidnapped. His interrogation uncovers the biography of a mass murderer: The 80 years old man was a SS leader and responsible for the killing of thousands of people in the Soviet Union. He also "invented" an evil technique of eliminating political prisoners: the manipulated suicide. Thomas Harlan reconstructs the history of a bureaucratic murderer, he also develops a direct connection between the Nationalsocialism and the treatment of prisoners of the RAF terrorists in the Stuttgart isolation prison. Robert Kramer filmed the shooting of Harlan's Wundkanal: Notre Nazi documents a social experiment in which the children of Nazis and of victims meet a real culprit. The reality seems to be stronger that the fiction in Harlan's film. (Edition Filmmuseum)

Voice

14 Days to Life14 Days to Life · 1997
14 Days to Life
5.41997
MovieDrama
Konrad von Seidlitz is a young yuppie lawyer currently celebrating his engagement with Cornelia, daughter of minister of justice Volkerts. As a public relations gag, he hasn't paid his parking fines for two years and now insists on being sentenced to jail for two weeks as punishment. Using his knowledge as a lawyer he makes the best out of his visit in jail still working, still in a splendid mood and not adapting to any rule. Probably a good way to get the desired public attention, but also a good way to make enemies inside the jail-house. One day before Konrad is to be released his booth is searched and two hundred grams of cocaine are found. That's a serious problem even for a brilliant lawyer like Konrad and even if you're innocent

Direktor

Black SunBlack Sun · 1998
Black Sun
7.31998
MovieDocumentary
A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

Narrator

Beim nächsten Kuß knall ich ihn niederBeim nächsten Kuß knall ich ihn nieder · 1996
Beim nächsten Kuß knall ich ihn nieder
8.01996
MovieDrama
Reinhold Schünzel is one of the most sought-after actors and directors of cinema of the Weimar Republic. When the National Socialists come to power in 1933, he just releases his legendary gender comedy “Viktor and Victoria“. Despite his Jewish faith, Schünzel is under the special protection of Hitler and can work unhindered due to a special permit. But Schünzel's days in Germany are also numbered. In his sparkling and pointed artist portrait, director Hans-Christoph Blumenberg tells about the rise and fall of Reinhold Schünzel. The grandiose Peter Fitz mimes a charming, witty and ambitious director. By letting some performers play several roles, Blumenberg cleverly illustrates the recurring conditions with which Reinhold Schünzel faces everywhere. Schünzel's irony, language joke and sophistication in particular congenially transfers Blumenberg to his film.

Reinhold Schünzel

StockingerStockinger · 1996
Stockinger
5.81996
SeriesCrime
Stockinger is an Austrian-made police television drama, with fourteen 45-minute episodes first aired from 1996 to 1997. The series is a spin-off from the popular Austrian television drama Inspector Rex, and focuses on Ernst Stockinger, one of the original members of the Homicide division or Mordkommission in German. Stockinger leaves the series to return to Salzburg where his wife has inherited a dental practice from her late father . He is appointed a Bezirksinspektor at the Landes Gendarmerie, sharing an office with District Inspector Antonella Simoni. Unlike the members of the team in 'Rex', who appear to be self-directed and are seldom seen to answer to senior management, Stockinger reports to Dr Brunner, a philosophising burecratic senior police inspector. Stockinger is portrayed as a clumsy, almost Inspector Clouseau-like character, driving a clapped-out 1973 VW Variant, but single-minded when following up clues.

Philipp Baldinger