Peter Fitz

Acting

Peter Fitz

Born August 8, 1931 · Kaiserslautern, Germany

Died January 10, 2013 · aged 81

Peter Fitz (8 August 1931 - 10 January 2013) was a German stage and film actor. Fitz completed an apprenticeship at the drama school of the Deutsches Schauspielhaus in Hamburg in the 1950s. In the 1960s, engagements at the Schauspiel Frankfurt theatre followed. Director Peter Stein brought him into the ensemble of the Berlin Schaubühne theatre, where he worked under the direction of Stein as well…

Known For

Au Revoir les EnfantsAu Revoir les Enfants · 1987
Au Revoir les Enfants
★ 7.51987
MovieDramaWar
Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
Werckmeister HarmoniesWerckmeister Harmonies · 2001
Werckmeister Harmonies
★ 7.82001
MovieDrama
A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.
PraterPrater · 2007
Prater
★ 5.82007
MovieDocumentary
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Laura's StarLaura's Star · 2004
Laura's Star
★ 6.42004
MovieAnimationFamily
Laura sees a shooting star falling to earth and finds it in a park, down on the floor and with a broken point. The star is a living being, and Laura takes her home to reattach its point with a band-aid. The little star has special powers and can make people fly, or bring inanimate objects to life. But the more she stays on Earth, the weaker she becomes and her colors fade away and her powers start to fail. Laura must find a way to send the little star back into outer space.
Dr. MDr. M · 1990
Dr. M
★ 4.71990
MovieCrimeMystery
In the not-too-distant future Berlin is shocked by a series of spectacular suicides; a policeman's investigations lead him to a beautiful, enigmatic woman and the revelation of a sinister plot to manipulate the population through mass hypnosis.
SoundlessSoundless · 2004
Soundless
★ 6.32004
MovieThrillerCrime
Viktor, a methodical hit man, probably on his last job, has no plan for his retirement. He does not kill Nina, a woman sleeping beside his latest mark; then he follows her and rescues her from an attempted suicide. Nina is attracted to him, but also wants to know who he is. Her pursuit of his identity crosses the investigation of Lang, a brilliant police investigator who tries to inhabit the minds of the victims and the killer. Viktor's employer also wants to kill Viktor and his contact, an aging arms dealer and family friend. Does Viktor have a future?
Black SunBlack Sun · 1998
Black Sun
★ 7.31998
MovieDocumentary
A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”
FlirtFlirt · 1996
Flirt
★ 6.21996
MovieDramaRomance
The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a "permanent" relationship, what do they choose to do?

Filmography

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PraterPrater · 2007
Prater
★ 5.82007
MovieDocumentary
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

Narrator

Black SunBlack Sun · 1998
Black Sun
★ 7.31998
MovieDocumentary
A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

Narrator

14 Days to Life14 Days to Life · 1997
14 Days to Life
★ 5.41997
MovieDrama
Konrad von Seidlitz is a young yuppie lawyer currently celebrating his engagement with Cornelia, daughter of minister of justice Volkerts. As a public relations gag, he hasn't paid his parking fines for two years and now insists on being sentenced to jail for two weeks as punishment. Using his knowledge as a lawyer he makes the best out of his visit in jail still working, still in a splendid mood and not adapting to any rule. Probably a good way to get the desired public attention, but also a good way to make enemies inside the jail-house. One day before Konrad is to be released his booth is searched and two hundred grams of cocaine are found. That's a serious problem even for a brilliant lawyer like Konrad and even if you're innocent

Direktor

WundkanalWundkanal · 1984
Wundkanal
★ 6.71984
MovieDrama
An old man is kidnapped. His interrogation uncovers the biography of a mass murderer: The 80 years old man was a SS leader and responsible for the killing of thousands of people in the Soviet Union. He also "invented" an evil technique of eliminating political prisoners: the manipulated suicide. Thomas Harlan reconstructs the history of a bureaucratic murderer, he also develops a direct connection between the Nationalsocialism and the treatment of prisoners of the RAF terrorists in the Stuttgart isolation prison. Robert Kramer filmed the shooting of Harlan's Wundkanal: Notre Nazi documents a social experiment in which the children of Nazis and of victims meet a real culprit. The reality seems to be stronger that the fiction in Harlan's film. (Edition Filmmuseum)

Voice

StockingerStockinger · 1996
Stockinger
★ 5.81996
SeriesCrime
Stockinger is an Austrian-made police television drama, with fourteen 45-minute episodes first aired from 1996 to 1997. The series is a spin-off from the popular Austrian television drama Inspector Rex, and focuses on Ernst Stockinger, one of the original members of the Homicide division or Mordkommission in German. Stockinger leaves the series to return to Salzburg where his wife has inherited a dental practice from her late father . He is appointed a Bezirksinspektor at the Landes Gendarmerie, sharing an office with District Inspector Antonella Simoni. Unlike the members of the team in 'Rex', who appear to be self-directed and are seldom seen to answer to senior management, Stockinger reports to Dr Brunner, a philosophising burecratic senior police inspector. Stockinger is portrayed as a clumsy, almost Inspector Clouseau-like character, driving a clapped-out 1973 VW Variant, but single-minded when following up clues.

Philipp Baldinger