Shamaine Othman

CUAK, which roughly translates to 'cold feet', follows the story of Adam on the verge of getting married and having second thoughts as he goes through the events that lead up to this moment - how they first met, the in-laws and best friends and making tough decisions such as converting ones religion to get married. The film is uniquely told by 5 directors who each direct each of these events as segments of the film, combining together to make one full narrative in a variety of different styles - ranging from drama and comedy to noir and mockumentary - making CUAK a truly Malaysian movie with themes that resonate with a universal audience regardless of race or religion.

After falling for a guest, an unsuspecting hotel staff becomes embroiled in a hostage scheme and discovers true love in an unlikely place.

After moving to Kuala Lumpur, Diana lands a secretary job at an ironworks owned by her husband's old college friend, possibly the world's worst boss.

A flu like infection has taken over KL which turns into a zombie outbreak as we follow three intersecting stories of the survivors fleeing for safety.

Mandatori centers around Norman (Aeril Zafrel), a preternatural police detective with the ability to use his ‘imagination’ to visualize and subsequently solve a crime scene. Things take an odd turn, however when he discovers later on that he is unable to his ‘powers’ anymore. Time is not on his side, as the city of Banda Raya falls into a deeper abyss as more mysterious occurrences come to unfold.