Eva Giolo

Directing

Eva Giolo

EVA GIOLO (b.1991) is a Brussels-based visual artist and self-taught filmmaker. Her work consists of cinematic poems that show a propensity to capture familial stories– of her own or of another’s. Using documentary strategies, she paints her portraits and creates a window into unseen, usually private, interior worlds. Giolo obtained her MFA in Fine Arts at the Royal Academy of Arts (KASK), Ghent …

Known For

yours,yours, · 2024
yours,
2024
MovieDocumentary
The curators invited a group of artists to be inspired by the work of the well-known, Belgian filmmaker Chantal Akerman. They specifically presented them News from Home, the 1976 feature film with two equal main characters: the island of Manhattan, New York where the director resides and her mother in Brussels who, through a stream of letters, demands increasingly urgent news.
RemoteRemote · 2016
Remote
2016
Movie
The film transports to a landscape of silence and solitude, alone with the wind, eyes burnt by the light. A place that turns harshness into tenderness. Although television and smartphones help to distract from the monotonous life in a secluded country village, the sense of community and place prevails.
Silent ConversationsSilent Conversations · 2023
Silent Conversations
2023
Movie
Hand-processed and self-printed 16mm reversal and negative colour films, Silent Conversations is a study of twenty-second sequences of embraces that unfolds as a series of time-based portraits.
OperaOpera · 2026
Opera
2026
Movie
Eva Giolo explores the subjective experience of listening as it unfolds through repetition and duration. Through intimate portrayals of the filmmaker’s friends immersed in acts of listening, the camera captures subtle shifts in expression and perception – quite beautifully on 16mm.
A Tongue Called MotherA Tongue Called Mother · 2019
A Tongue Called Mother
2019
Movie
A Tongue Called Mother depicts the relationship between language, gestures and affiliation. It slowly captures the actions and words of three generations of women in the same family and children learning to read, meditating on words learnt and forgotten through the body.
The Advantage of Lying On The FloorThe Advantage of Lying On The Floor · 2023
The Advantage of Lying On The Floor
2023
Movie
A choreographed self-portrait of the artist in her apartment in Brussels. Meditating on ideologies of work, she explores notions of exhaustion, resistance and personal healing.
ElisabethElisabeth · 2017
Elisabeth
2017
Movie
Elisabeth HD video, colour, 16:9, stereo, French spoken, English subtitles, 2017.
Becoming LandscapeBecoming Landscape · 2024
Becoming Landscape
2024
Movie
A portrait of Fogo Island, off the Eastern coast of Canada. Giolo approaches the unique environment of the island – human, geological, floral – proposing an indivisibility between landscapes and the bodies that inhabit them. Shot in her distinctly frontal style, a series of 16mm tableaux hint to the relationship between observation and composition, between seeing and dreaming. As someone reads, “a landscape is a state of mind”, or more accurately a “state of mind is a landscape".

Filmography

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Be Good, If You Can't Be Good, Be Good at It Boom Boom Boom BoomBe Good, If You Can't Be Good, Be Good at It Boom Boom Boom Boom · 2021
Be Good, If You Can't Be Good, Be Good at It Boom Boom Boom Boom
2021
Movie
BE GOOD, IF YOU CAN’T BE GOOD, BE GOOD AT IT Boom Boom Boom Boom is a publication composed of letters, notes, anecdotes, translations, stills and images: all traces of the creative process. The artists Rebecca Jane Arthur and Eva Giolo bring together their correspondence on the act of writing and of filmmaking, in all its complexity, struggles and playfulness. The letters unpack themes such as the challenge of making personal work and the strength found in sharing vulnerability; the act of writing itself, language and translation; writing on moving images, on their practices and that of others; and the notion of a place as a container of memories, of interiority and the confrontation with home. The publication uses words and texts as images, and all images of persons or things are hidden. The publication acts as a negative to the films that we create, revealing that which cannot be

Director