Deniz Cooper

Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.

A young Vienna-based taxi driver of Turkish origin witnesses an extremely brutal murder. The perpetrator, a serial killer, makes eye contact with her; a deadly game of cat-and-mouse ensues.

In the second part of the successful children's book adaptation, Franz, Gabi and Eberhard go on a turbulent hunt for criminals during the summer holidays – and uncover a completely different secret in the process.

Franz is by far the smallest in the class, has blond ringlets and gets a high-pitched squeaky voice when he gets upset. Luckily, two best friends help: Gabi and Eberhard. When Franz discovers Hank Haberer's "10 rules for a real man" for himself one day, turbulence is inevitable and the friendship of the three gets into trouble.

Although director Olga Kosanović was born and raised in Austria, she is not allowed to be Austrian. Her first attempt at naturalization failed. One contemptuous social media comment summed it up: “If a cat gives birth in the Spanish Riding School, that doesn’t make the kittens Lipizzaners.”What notion of identity underlies a legal system that divides society into “us” and “them”? A film about belonging — and about a second attempt.

A compulsive gambler is forced to take a chance with his own life

A young woman stands on the Rialto Bridge in Venice; in a cool box is her dead goldfish. Initially she had planned to let it be carried out to sea. But then an emotion that is even stronger causes her misgivings, and so she packs the fish up again. In the surreal setting of an empty city, she sets out in search of lost meaning.

Olga Kosanović reveals the unfair absurdity of Austria’s right to residence. The single father Vladimir wants to work to be able to stay in the country with his daughter. But if he doesn’t have a residency permit, he’s not allowed to work. From this paradox, the film filters a humanistic indictment of cynical domestic policies in the land of insurmountable peaks.