Pedro Guindani

Porto Alegre innovates once again: it is the first city entirely outsourced to a megacorporation, Fratel. The cutting-edge company's smart management brings technological solutions aimed at bringing more security and efficiency to the city, which serves as a test model for other capitals. Téia and Nanã, however, are left out of all this innovation: elderly, lesbian, and cyclists, they see their freedom and rights increasingly limited by the corporation's interventions. They are left with only two options: adapt or outsmart the system.

Amanda, an introverted 12 year-old swimming athlete, finds safety in her own world: underneath the water. Lacking attention from her parents, she spends most of the time at the swimming pool, training and trying to succeed in maybe the only thing she truly loves. Priscila, an amazing swimmer, becomes her opponent, not only in the pool also in life. A subtle power game begins.

After embezzling 15 million reais with the help of his cousin, Daniel goes into hiding. Waiting for forged documents to escape Brazil, he rents an old apartment and starts a paranoid journey that may put his new found fortunes and sanity at risk.

In winter, the biggest beach in the world changes, vacationers return to the city and leave their beach houses empty. Daniel, Tando and Soninho sneak around the streets of Balneário Cassino at night, observing the houses in order to break into them. After collecting some gifts, Soninho explains why he was missing.

Walking along Av. Oswaldo Aranha, a man decides to be the first to arrive and the last to leave the Lancheria do Parque. Based on this experience, this man observes the functioning and the patrons of one of the most classic establishments in Porto Alegre. A documentary journey through the daily lives of thousands of characters from Porto Alegre takes place.

Alone, brother and sister wait for those who may never return.

Three women with completely different backgrounds have one thing in common: they loved and were connected to the same man. From the point of view of these women, through an intricate structure moving back and forth in time, Raul enters the story.