Harvey Evans

The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?

In Manhattan’s Upper West Side, rival gangs of Polish-Americans and newly arrived Puerto Ricans clash for control of the neighborhood, even as two young members from opposite sides fall dangerously in love.

A man with an asthmatic voice telephones and assaults clerk Kelly Sherwood at home and coerces her into helping him steal a large sum from her bank.

A documentary film about dancing on the screen, from its origins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s, 50s, and 60s, up to the break dance and music videos from the 80s.

An Iowa pajama factory worker falls in love with an affable superintendent who had been hired by the factory's boss to help oppose the workers' demand for a pay raise.

A bank temporarily housed in a mobile home while a new building is built, looks like an easy target to break into. On the other hand, why not steal the whole bank, and rob it in a safer location.

In a post-apocalyptic world divided between two groups called the Flockers and the Ravagers, an adventurer and his "pleasure girl" try to find their way to a rumored safe haven called the Land of Genesis.

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."