Liliana Fiorelli

This is the story of two completely opposite households: the Pavone are intellectual and bourgeois, the Vismara are proletarian and fascists. They are two tribes sharing the same jungle: Rome. A trivial accident brings these two poles together. The madness of a 25-year old youth will set them on a collision course, discovering the cards to reveal that everyone has a secret. People are never what they seem – but we are all predators in the end.

We too have the right to dream.

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

The Right to Happiness centers on a small used book store in a small plaza in a small town with big vistas, somewhere in Italy. It sounds like a book lover's fantasy, and maybe it is. The bookseller, Libero, knows most of his rather eccentric customers and can barely bring himself to take their money (although fascists pay double). When a young boy, Essien (Didie Lorenz Tchumbu), an émigré from Burkina Faso, happens on the shop, Libero begins lending him books of increasing difficulty. From Pinocchio to Moby Dick, Essien can read as fast as Libero can lend, and the two form a bond over reading and meaning. "Books should be read twice," Libero says. "Once to understand them, and once to think." Life should probably be lived like that too, but the bookseller's name means "free," and freedom is what Libero bequeaths to Essien.

Peppino, a provincial librarian who became the accidental President of Italy, is now a father and has returned to a peaceful, happy life as a woodsman. That is, until his wife Janis decides to return to politics. Peppino is forced to abandon his home in the mountains and return to Rome to win back his love and help her defeat a speculative plot intended to damage Italy. Together, they must fight against social media attacks of the opposition and get the country back on its feet.

The king of a secret modern-time Medieval kingdom leaves his throne in inheritance to his son, who struggles to lead the kingdom in fight for its independence from the Italian state.

In the late 1980s, Amedeo Letizia, a young 20 something Italian, leaves his hometown of Casal di Principe to pursue a career in acting in Rome. While he's making his debut, his younger brother Paolo is kidnapped by armed men. Amedeo comes back, this return being an infernal descent into his past and his region's contradictions.