Murat Tok

The comical story of Şaban, who came to Istanbul to earn his dowry and, by chance, became a famous folk singer known as Şaban Ballıses.

Kenan, who is interested in hunting, is seriously injured in an accident while going to the forest one day. Elif, who is a nurse in a hospital, finds Kenan by chance and takes him to the hospital.

Saban, Ramazan and Bayram are sailors in an Ottoman Navy and Hüsamettin is their commander. Hüsamettin's aide Ramazan, Saban who is foster son of Hüsamettin's sister and Bayram who is married to Hüsamettin's niece stays at Hüsamettin's family residence. Hüsamettin's sister thinks Ramazan is her foster son Saban when she realizes her mistake she introduces Ramazan to her brother as her son in law Bayram since she was afraid of Hüsamettin's short-tempered character. Things get complicated when real Saban and Bayram come to the residence. Now Saban has to be Ramazan and Bayram has to be Saban. Meanwhile, a gulyabani (a ghoul from Turkish folklore) haunts the residence.

Unlike all other films of Cuneyt Arkin, this film picture is taken by a highly skilled team with quite a lot of preparations. The scenario is a fairy tale which is pleasantly supported by some high quality visual effects (prepared in a visual lab in England). The scenes are all supported with high quality decorations of the old times of the tale. Cuneyt Arkin with his athletic capabilities enables the hero of this tale to be brought to life in his act. It is really unlucky for the film team to prepare such a good film after a series of junk films which directly reduced the interest to this high quality film.

The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

Gurbet works as a farmer with her father, Hüseyin Çavuş. She and Halil are in love with each other. Halil works as a laborer in the city to earn money to build a house and buy a field. Çılgan Ağa, who has taken over the fields of the villagers in the area by putting them into debt, is also in love with Gurbet. Çılgan gives Hüseyin Çavuş debts he cannot repay. By extending the repayment period and giving additional loans, he gains his trust. Hüseyin Çavuş falls ill and dies. To pay off her father's debt, Gurbet puts herself up for auction. She will marry the one who offers the most money. During the auction, Çılgan Ağa not only offers the highest amount but also promises to forgive all the villagers' debts. Unable to withstand the villagers' pressure, Gurbet agrees to marry Çılgan Ağa.