Altamiro Carrilho

Esse Milhão é Meu!

Mulher do Diabo

Amazon Symphony

Sinfonia Amazônica, or Amazon Symphony, was Brazil's first animated feature-length film, produced entirely by Anélio Lattini Filho over five years and finished in 1951. Like Disney's Fantasia, it tells several folk stories over orchestral music.

Essa Freira É Uma Parada

Altamiro Carrilho: Programa Ensaio

É de Chuá!

The film narrates the adventures of the trickster Juca Moleza in the carnival while he has to deal with the consequences of the scams he applied to people of high society.

Não Nasci para Deixar meus Olhos Perderem Tempo

The fading of composer Zé Keti’s career. The sad portrait of Brazilian Congress closed in 1977. The pain of a mother who lost her 15-year old daughter run over by a car. The Brazilian Presidents since Castelo Branco. Characters and settings registered through the keen and sensitive perspective of photographer Orlando Brito, in a career spanning 50 years as a professional. From the political sidelines to the lives of Brazilians from the interior, Brito recalls experiences and discusses the role of the photographer and the pain of registering someone’s grief.

Esse Milhão é Meu!

Mulher do Diabo

Amazon Symphony

Sinfonia Amazônica, or Amazon Symphony, was Brazil's first animated feature-length film, produced entirely by Anélio Lattini Filho over five years and finished in 1951. Like Disney's Fantasia, it tells several folk stories over orchestral music.

Essa Freira É Uma Parada

Altamiro Carrilho: Programa Ensaio

É de Chuá!

The film narrates the adventures of the trickster Juca Moleza in the carnival while he has to deal with the consequences of the scams he applied to people of high society.

Não Nasci para Deixar meus Olhos Perderem Tempo

The fading of composer Zé Keti’s career. The sad portrait of Brazilian Congress closed in 1977. The pain of a mother who lost her 15-year old daughter run over by a car. The Brazilian Presidents since Castelo Branco. Characters and settings registered through the keen and sensitive perspective of photographer Orlando Brito, in a career spanning 50 years as a professional. From the political sidelines to the lives of Brazilians from the interior, Brito recalls experiences and discusses the role of the photographer and the pain of registering someone’s grief.