Giuseppe Napoli

After the 8th September 1943 north of Italy is occupied by Germans. Italian army collapsed and the soldiers are escaped to the mountains trying to set up a resistance. Many civilians did the same and Johnny, an English literature student, is among them. Johnny avoids to band together the red partisans (communists) and tries to be part of the azure bands (former regular soldiers). But in both cases he is deluded by the partisan bands and discovers that the partisan war is less poetic and genuine that he thought. At one point anyway the partisans free Alba from Germans. When the city falls again in German hands Johnny escape with Ettore and Pierre. But, one after another, German army and Italian fascists captures the partisans and Johnny will pass the winter alone and isolated. He then finds the way to participate to one of the last attack to occupants, in fact the war will be over two months later.

Four stories about football.

The movie tells the little stories of a group of families who live in the same building in Rome as seen from the eyes of Sandrino, a little kid who is awaiting for a total eclipse of the sun, that really happened during summer of '61, and it was was fully visible from Italy. He sees his family life, a young girl who is about to marry a man she doesn't love, an old man who has just died and whose relatives fight for his inheritance, a blind trumpet player who hopes to recover, his little friends...

During a trip to the USA Carla falls in love with Charles, an ex-punk rocker now working as a security guard. She returns to Torino, Italy, and breaks the bad news to Francesco, her fiancee; they have a fight, she leaves him and apparently disappears.

The Resistance, an ancient theme. Almost always approached from a realistic, if not documentary, perspective. Yet memory reworks in a fantastic, sometimes sinister, way all kinds of memories, even dramas. It is from this point of view that first-time director Daniele Gaglianone (34) approached the subject, despite his deep historical knowledge of the period (he has been working with the National Archive of the Resistance for years). In an interior, rather than intimate key: two old men meet by chance the fascist hierarch responsible for a terrible massacre, and they do not know whether to forgive or avenge. The past then mixes with the present, up to a third dimension that becomes a real character, in the finale: the decision made by the two will turn out to be unsuccessful and then, in order not to "die," the old men will build a perverse inner game capable of remedying every pain...