Dušan Vodák

A veteran-turned-mercenary is hired to take a young woman with a secret from post-apocalyptic Eastern Europe to New York City.

Fairy tale about young cobbler Jíra, who had fashioned wings from leather in order to rescue princess Jasnenka from the tower of the royal castle, where her father had closed her to to save her from the evil witch and her daughter Cernava.

A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.

Director Tomáš Vorel created his experimental feature debut with members of renowned Prague non-traditional auteur theaters. The ensembles presented their own poetics and style through five "short stories" connected by satirical commentary by the "expert" Dr. Milan Šteindler, CSc.

A young waiter named Michal gets into trouble when he is robbed of his daily takings, which he was supposed to deliver to the bank. He's on probation, so it's clear that no one trusts him. So he asks for help from a friend, Tomáš, a taxi driver, who borrows from Adamec, a dangerous bellhop. By chance, the two friends manage to find out that his colleague Kadlec and his son-in-law, garage keeper Bures, who is a stolen car dealer, are involved in Michal's robbery. With the help of Michal's girlfriend Magda, they devise a scam to punish the extortionist boss and hand over the two seemingly blameless scoundrels Kadlec and Bures to the police with the evidence.

A gloomy tale about a king whose pride robbed him of love, friends and power. A cruel curse is at the beginning of the story of this fairy tale based on an old Irish legend. Until the king's newly born son raises his sword against his father, there will be no spring in the Hawk Kingdom. Although the king orders the counselor Ordon to kill the child, the nurse saves him and entrusts the child to the care of a bird. He names him Christopher and raises him together with his son Janko. Twenty years later, the king succumbs to Ordon's urging to war with the neighbouring King Ubald. It is in this war that the curse is fulfilled and the tragic fate of the new king, who cannot listen to the right mouth, begins to unfold.

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

The heroes of the small-town story are former friends Standa Stuchlík and Robert Sura, who become arch enemies, and not only because of their classmate Zuzana, whom they both like. While Robert, the dude, has rich parents who spoil him and buy him everything he asks for, Standa has to earn a hard living playing in a rock band, working part-time in the boiler room and constantly defending his hobby against his parents' disdain. His only support is his uncle Edda, also a musician.

Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.

Follows two wealthy families in Germany during the first half of the 20th century. One of them is German, the other one Jewish.