Marian Kiss

Lars Barthel asks his Jamaican wife Antoinette why she often wears hair extensions. This personal curiosity leads Lars and his film to some complex and politically-charged questions. What is the relationship between hair and racism? And where do the hair extensions actually come from?

Six directors, one film: in episodes, they recall their experiences at the end of the GDR and the fate of a family under National Socialism. They talk about making films despite censorship, about the search for opportunities. They tell of losses, of leaving, of staying and of love in exile. A film about the longing for home and the endurance of friendships.

They were heroes of a special kind. They came from the steppes, the sons of farmers, of factory floor women. Salt-of-the-earth, strapping young men, model husbands, who believed in communism with all their hearts. Bright futures lay ahead of them. In the name of the Inter-cosmos Program they were about to conquer space. The second they touched down, they were treated like pop stars and worshiped as heroes. And today? What do the heroes of socialism do without socialism?