Chan Tze-Woon

How High the Moon

Hoping to give her daughter a better life, a single mother decided to work part-time in a convenience store. Yet, the lack of night-time child care service puts her in a dilemma.

Blue Island

Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.

Yellowing

The turmoil that has overtaken Hong Kong since its return to Chinese sovereignty in 1997 has spawned a new generation of young, passionately committed activist filmmakers; they want to tell Hong Kong's story with Hong Kong voices. And the best indie documentary to have emerged so far from the HKSAR is this year's Yellowing, by Chan Tze Woon, a 29-year-old with degrees in policy studies and film production. Hong Kong's fraught, tense relationship with its mainland Chinese overseers came to a head with the Umbrella Movement of 2014. A crowd of protesters stormed Civic Square on September 27. The next day police shocked most residents of the HKSAR by attacking the growing crowds with volleys of tear gas, whereupon a wide cross section of Hong Kongers occupied the streets in several areas and stayed for almost 6 weeks. Chan took his camera on the streets for 67 days during these events.

Let's Get Lost

Ka-long, a wanderlust graduated from the University of Hong Kong, always dreams of backpacking to many countries with his guitar. While he believes he is trapped in Hong Kong, his family thinks that he is simply wasting his life and not settling down for a better future. He is getting more uplifted after he meets Wen-wen, a girl speaks with a Taiwanese accent. While they are dating, Wen-wen makes an effort to hide her true identity from Ka-long. Can they finally resolve the undercurrent of their relationship? Let’s Get Lost ultilises the thematic motif of road movie genre – both protagonists have to embark on a journey of revealing their true identity. As a result, the film widens its scope to the geo-political differences between Hong Kong, Taiwan and China.

Being Rain: Representation and Will

A group of documentary filmmakers began to shoot the civil social movement in Hong Kong, which became part of the city's common landscape. Spanning over two years, the filmmakers attempt to reveal the visible and invisible control behind. They trace a mysterious organization which is suspected to secretly control the weather which dampens the mood and suppresses the intention of the public to participate in social movements. On the surface, the question on inclement weather could be answered by climate changes around the world. The underlying sordid discussion, however, is really about intervention, pervasive suppression and control instead of any conspiracy theory.

I've Got the Blues

Following her award-winning documentary, One Tree Three Lives, about novelist Hualing Nieh Engle, Hong Kong director Angelina Chan examines the artist Yank Wong Yan-kwai. A complex man who resists easy categorizations, Wong is a painter, art director, set designer, writer, musician, and photographer, an elusive renaissance man of bountiful creativity. More than a portrait of an artist and the creative life, the lm is also a high-octane cat-and-mouse game between lmmaker and subject: one tries to capture, the other evades

Have A Nice Day

A jobless Pakistani immigrant who wants to salvage his marriage by driving for riding apps, which is targeted by the Hong Kong police.

July 1st, An Unhappy Birthday

Handover Law met his girlfriend, Rayna, at the last July 1st march in 2010. This year, they will march again to celebrate their meeting, his birthday and protest the government. This joyful day takes a turn when Rayna runs into her 'mainland Chinese' schoolmate.