Enrique Simón

Justo has just rented a flat to live in with his granddaughter Lola, a girl with cerebral palsy, whom he has been caring for for years. But at the entrance to the building there is a large staircase that forces Justo to carry Lola in his arms so that she can take the bus that takes her to school, causing a huge traffic jam and a lot of noise every day. In addition, his age and ailments make his task more difficult every day. The best solution would be to install a ramp. So he decides to go to a meeting of his neighbourhood association to ask for one to be installed.

Film director Juan Bravo is in a deep, existential funk: his latest film has been vilified by critics, and his friends, relatives and even business associates are wasting no time in badmouthing him. He seeks refuge in the city of Oviedo, Asturias, wandering the empty streets at night, going to parties that are veritable circuses full of wannabes, and attending concerts and religious and traditional ceremonies as he seeks inspiration for his next film. He reminisces about his childhood but, most importantly, that strange woman who asked him to visit her at her apartment at precisely 10 p.m., not one minute more, nor one minute less.

In the 1970s, groups of young Europeans ventured into the Sahara Desert with the intention of crossing it and experiencing “an adventure”. Unprepared, reckless and ignorant of the terrain they were crossing, they faced extreme situations with unexpected consequences. From the passion of these young people for adventure, the most famous rally in the world was born. “End of the Journey, Sahara” tells the story of one of these adventures.

A new doctor arrives in a small Spanish village. As soon as he begins meeting people there, he notices the strange behaviour of the population and is surprised. Young people make fun of him, a man called Gonzalo seems to be some kind of leader, and he is invited to leave the village when he tries to ask about the situation. All his questions get no answer. His neighbour is a lovely and pretty young woman, who works as the local teacher. They develop a sincere friendship from the very first moment, which grows to become love. Unfortunately, Gonzalo feels that the young teacher is "reserved" exclusively for him and he reacts with violence. Meanwhile, the doctor finds out the key of that strange behaviour. Some years ago, during the local feast, some drug-addicts attacked the village in order to get money and goods. There was a fight and some people died, including Gonzalo's son. From then on, Gonzalo and others began their particular "crusade" against drug-addicts.

After the death of his wife, Angel, a university professor and writer, he falls into a severe depression. He flees to his house in the country, but there the evil is accentuated, which leads him to an attempted suicide that Teresa, his young neighbor, saves him. Angel starts a relationship with her and her partner, Alberto. Soon he falls in love with Teresa and, through a passionate relationship, he frees himself from his torments. Teresa, Alberto and her theater group on stilts ask her to write a play to represent her in the town. Obsessed by Teresa, she is vivified with this experience with the young, but she soon moves away from him carnally. This rupture desperate and as Teresa disabuses him of any possibility of continuity, in the mind of Angel reappears suicide as the only solution

A single guy has a video recorder that when re-winded it rewinds his life too. One night He invites to dinner some friends and records the party and keeps rewinding the camera every time something goes wrong with unpredictable results.

A grandfather, a veteran communist militant, runs away on his birthday with his granddaughter Adriana.