Michéle De Angelis

In 1933, a young woman and her father discover an Alabama plantation whose inhabitants live as if slavery had never been abolished. Feeling a sense of duty to those behind the heavy gates, she stays to liberate the people and see them through their first harvest. With four of her father's colleagues and a lawyer, she faces the daunting task of resurrecting the place known as Manderlay.

Don Vasari is an anti-conformist priest. For this reason he is transferred to a juvenile prison in a small town in the southern of Italy. Nino, a sixteen year old inmate, is accused of murder but Don Vasari does not believe his guilt and he starts a courageous investigation to help him.

Feature documentary which profiles both the 1978 film and the career of director George A. Romero, including extensive interviews with all principle cast members and production personnel.

When a young woman is accidentally trapped between two doors, she soon realizes her nightmare is only about to begin. A life changing experience waits for her in the tiny space between the doors.

The life of one of the most famous leading-men of Italian popular cinema.

Documentary about the shooting of 'Suspiria' that details everything that lovers of horror genre can desire, including the inspiration of the plot, the director, the cast, the style, the music and, of course, its worldwide success. Argento, Daria Nicolodi, Jessica Harper, Udo Kier, Stafania Casini, Giuseppe Colombo, Luciano Tovoli and several members of the progressive rock band Goblin (Claudio Simonetti, Fabio Pignatelli, Massino Marante) are interviewed to learn about their work in the film.

An interview of Tomás Milián discussing his performance in Umberto Lenzi's Almost Human.

Marcello is a professional film restorer and an avid cinephile. While working on some of the most popular titles of Italian cinema, he comes across a strange figure almost hidden among the extras - a man wearing a bowler hat and looking directly toward the camera, perhaps even at Marcello himself! He finds the same man in many other films from different movie ages. He grows obsessed with this figure, even if it seems Marcello is the only one who can see him.