Li Ying-Tao

When a terrorist who specializes in explosives takes hold of an underground tunnel, he threatens to kill hostages if his demands are not met.

An ultraviolent cops vs. gangsters bloodbath leaves casualties on both sides. Twenty years later, surviving team member Madam Fong leads a new squad in pursuit of reckless young anarchists terrorizing Macao.

Three notorious gangsters who have never crossed paths find themselves in the same restaurant at the same time, and their fates are changed forever.

Shawn Yue and Miriam Yeung reprise their popular roles as a star-crossed couple who strive to stay together happily ever after, only to find their already precarious relationship further strained, when Jimmy’s childhood friend asks him to donate sperm, and Cherie is troubled by the re-marriage of her father.

Gun is a loan shark. Having worked hard for years, i.e. intimidating and threatening his debtors, he musters just enough money to purchase a house for the family. The plan is at risk, however, when one of his debtors dies and Gun discovers that he is not the only creditor. Out of desperation, he asks for his daughter’s help, who is unwilling to be involved in her father’s shady business. The simmering tension causes a rift in the family.

It was raining non-stop when Hong Kong was rocked by the tumultuous events of October 2014 (the "umbrella movement"). In a fixed sequence shot, the film captured students meeting each other in the hall, in the rooms, discussing, arguing about or remaining indifferent to the event, while it continued to rain outside.

In order to fulfill the expectation of her mom and her grandpa, Nam is raised as a boy since she was born. She dresses like a boy every day before going to school, gets changed back to a girl’s uniform, and puts on a boy’s outfit before heading home. Her hysterical mom anticipates the return of her husband, which is a dream never come true. Nam finds her only shelter at her childhood friend Yeung’s house, a place where she can finally be herself, i.e. doing laundry for her underwear. But her life changes on the day when Yeung disappears.

There are people and places that we used to hold dear in our hearts and gradually became sediments of buried memories. When Charlotte encounters a suitcase at the second hand shop she works at, her emotions are unearthed and bring her back to the days of innocence with Chan. Charlotte did believe that Chan, just like the neighbourhood in bygone times, would remain constant. Yet all old things are helplessly abandoned and crushed beneath the wheel of time. At the same time, Ling is depressed and lonely because of Chan's death. Sending Chan's things away to purge her negative emotions and to set herself free from the past, a treasured relationship reveals itself like ripples of emotions.

Wai and Na have always been the good Christian couples in others' eyes and they are finally getting married soon. However, an unplanned pregnancy drags the two Christians into the dilemma of human nature... Years after tying the knot, Na is pregnant again and this time they have another difficult decision to make. Two lives, two decisions, all depended on whether they were more afraid of god, or of human.

When Shing Chi Tat got fired by his school, he luckily got into a primary school to continue his teaching career. He was assigned to manage the campus TV while teaching visual arts. But this new environment wasn’t as wonderful as he thought. This time, he has to face complains from parents, and got no support from his superior. Not to mention all the difficulties he has to face during the campus TV shooting process. But this time, he chooses to face the problems together with his students. And this time, he got to rethink what education really means.

Lam Tung is an old man living a solitary life in his Hong Kong apartment. Since his children have grown up and moved away, he decides to let a room to an ambitious, young film student Cheng Yang. Both years apart in age and ideals, Piled Cloud provides a fresh look at the generation gap between two very different individuals.

In a traditional fishing village where most youngsters have left to work in the city, the older generations are left behind. Ren, a widow who lives in the village helps her neighbour, Mrs Wah, to deliver a gift to her son, Chung in the city. Ren finds out that Chung is leading a harsh life. Back in the village, there is no one with whom she can share this secret. The only refuge from the sleepless night is her deceased husband. A Thousand Sails is a short tale about the poignant separation between city and village, mother and son, life and death. With long shots and sophisticated art direction, Eric Tsang Hing-weng compellingly captures the actors’ performances, especially that of Professor Chow Po-chung’s surprising debut.

There are two kinds of loneliness: The sense of isolation in society which people experience from time to time, and the loneliness in searching for the meaning of life. A young man and an old man suffer the same pangs of emotions not uncommon in the city. They live across the corridor as neighbours but remain strangers, facing the absurdity of life with no means to escape. The vibrant city continues day and night, fuelled by the nameless people living within.

While same sex marriage is broadly celebrated in Europe and North America, Hong Kong reminded as a metropolis where such basic social security is missing for the queer communities. Dedicated to the Hong Kong queer icon, Ellen Loo, who committed suicide in 2018, and starting from the moment where Ricky come out to his family, Forever 17 explore an imaginable future for the queer community, through love and acceptance, betrayal and forgiveness, pain and recovery, death and survival, inheritance and eternity, and honouring a life long commitments.

Lai-sing, full of aspirations as a journalist, lives in Hong Kong with his sister Kei-mei. Their parents live in Hainan since retirement while Uncle Guoyou lives in Shenzhen. The family is separated until the third anniversary of the death of Lai-sing's grandmother. According to tradition, a monument has to be erected on this occasion, which brings the family members to meet up. The reunion slowly unveils the indiscernible distances and intimacies built over time. It is only through understanding and acceptance that they would cast aside their differences and show genuine care for each other.

A lonely man is hired to take care of the to-be-demolished Cheung Chau Cinema. He is greeted by a dog, two kids, and a mysterious granny who calls everyday. The film was shot in the ruin of Cheung Chau Cinema, locating in Cheung Chau, an island in Hong Kong. Before saying goodbye, he organises his own screening of The One-Armed Swordsman (1967) directed by Chang Cheh.

Summer in Cheung Chau is a hidden wonderland. Three local Cheung Chau kids and a dog break into homes of islanders who are on vacation, and of the emigrants who left for good. Marked with whimsical adventures, their journey imparts unexpected lessons about the secrets of the adult world. As the end of summer approaches, the trio is destined to part at the cruel crossroads of youth.

A devoted couple settled themselves in Hong Kong decades ago through turmoil across the border, navigated through ebb and flow together in life. Since the stroke of the wife, Yeung Ha (Brenda Chan), they were both physically and mentally weighed down. Husband Lau Choi (Ying To Li), with his unswerving affection, continues their journey to the other side of life as it vanish away.