Yurii Odynokyi

Ukraine. ATO. This is a story about a father who learns about his son's death in the war. The body of the young soldier remains in the eastern part of Ukraine controlled by separatists. The father, refusing to accept the terrible realities of war, goes to the war zone in search of his dead son.

In the suburbs of the city a 7-years old boy disappears. After months of fruitless searches the boy's older sister decides to take the deal over. She is confident that she knows who kidnapped her brother. Is this enough to justify a terrible revenge?

Kharkiv, the 1930s. The heyday of Ukrainian art. Ambitious young poet Vladimir Akimov happily settles in at the new luxury "Slovo" House built specifically for artists. He comes from the provinces and works as a proof-reader in a printing press, and has never even dreamed of living under one roof with prominent Ukrainian writers and artists. He thinks his own poetry is genius, but nobody takes his literary efforts seriously, not to mention the occasional chuckles over his epigone poems. But fate smiles at him. The head of the political intelligence agency suggests that he become the author of a play written earlier. Akimov agrees, signing a non- disclosure note. The poet has no idea what price he will pay for this success. “‘Slovo’ House” is a story about a generation of Ukrainian artists persecuted by the totalitarian system, unfolding against the backdrop of one of the largest genocides of the 20th century: the Holodomor, which caused the death of almost 7 million people.

The first Soviet sexologist is sent to the gulag and is haunted by stories of fellow inmates. They provide unforgettable vignettes of Soviet sexual brutality, from the utopian ideals of the 1920s, to gay life in the 1930s, the rape of women by those in power, and the use of sexpionage to entrap enemies of the State. A visually compelling exploration of how totalitarianism ultimately destroys all forms of human intimacy. Part 1 of the trilogy "Sex in the Soviet Union."