Toni Martínez

After two years away, Hache returns to Barcelona seeking a fresh start. Falling for Gin while facing unresolved feelings for Babi, he must confront love, loss, and who he's becoming.

Julia runs a trendy bar in Barcelona. She treats men with caution, believing one can love too much and invite pain. She's been dating Pablo, one of her waiters. After his grisly murder (his heart is cut out), she receives anonymous messages and video tapes from a man who says he is in love with her. Another murder follows, the police give her 24-hour protection, and Pablo's replacement at the bar, the virile Antonio, seems to be attracted to her. As Julia's stalker closes in, she's on the verge of a nervous breakdown, then becomes almost serene. Leading the investigation is a police comisario who's eyes are covered as he awaits the completion of treatment. Will we see the murderer?

A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

In 1920s Madrid, four women at the National Telephone Company ring in revolution as they deal with romance, envy and the modern workplace.