Natalia Geisse

After escaping from a religious colony in Chile, Maria seeks shelter in a mansion where she’s taken in by two pigs, its only inhabitants. Like in a stop-motion dream, the universe of the house reacts to her feelings. The animals slowly morph into humans and the house into a dark, menacing world.

On a remote, wind-lashed island off the Chilean coast, Silvia earns her living harvesting seaweed and shares a quiet life with her partner. When she adopts a stray puppy, Yuri, her days fill with joy, love, and a tenderness that stirs a long-suppressed longing for motherhood. But Yuri’s sudden disappearance reawakens a haunting childhood trauma, forcing Silvia to confront a past she has never truly left behind.

Diana is the princess of an ancient kingdom. Her father, King Arthur, forbids love. When Diana falls in love with Lalo, he banishes him. Using a magical bracelet, Diana travels to other worlds in search of her love.

Celeste is a carefree 15-year-old coming of age after the fall of Pinochet when her life changes drastically and unexpectedly. Now, the desert and oceanside she once embraced feels alien. In an uncertain nation going through a transition of its own, Celeste is thrust into an adult world where she must grow up faster than she could have ever imagined.

Using human corpses and invoking the spirits of two damned Secretaries of State, a girl performs a ritual to free the kingdom of Chile from its feudal heritage.

Eight years after having been raped at a beach near Santiago, a young filmmaker tells the story of the assault, the revictimizing judicial processes, and the friendship that helps her heal, in dozens of video-diary entries that comprise an artfully crafted, intimate documentary. A question remains: What is a rape, really, and when does it end?

The list of fantastic, mythical animals compiled by Carl Linnaeus in his seminal 18th century work Systema Naturae could well be the seed of Niles Atallah’s Animalia Paradoxa – an eccentric tale set in a post-apocalyptic world that follows a strange creature struggling to survive. Dressed in rags and a gas mask, moving like an alien dancer, Animalia roams through an abandoned building – crawling and stretching across concrete, plastic, waste. She laboriously carries and fills up an array of empty bottles to enjoy a modest bath. The camera eye lingers on her with compassion and explores the architectures of trash at an agonising pace. We know in our hearts that Animalia is a human-amphibian longing for the sea…

Actress and psychologist Antonia Giesen decides to film a script revealed by a voice within the mind of one of her patients. Seeking collaboration with the filmmaking duo León & Cociña, they craft a crossroads of theatre, science fiction, animation and fabulated biopic, populated by parallel worlds and haunted by the shadow of a Chilean Nazi writer as a demonic figure.