Eric Raphael Mizrahi

Five short movies, linked by an animation, inspired by the life and work of Amos Guttman, the director from Transylvania who was a pioneer in Israeli gay cinema and died from AIDS in 1993. Produced by Tel Aviv Film Festival, it is a mixture of different styles and genres and is directed by six film-makers. In the last moving episode Kati Guttman celebrates his son, who passed away twenty years ago, and also recalls for the first time his own deportation to the Nazi death camps.

Israel is sealed off after the outbreak of a deadly virus and Gaza has become the safest place in the region, leaving a British journalist and his Israeli girlfriend trapped on the wrong side of the border. With no one else to turn to, they must entrust two Palestinian street merchants who promise a way out in exchange for much needed cash. What follows is a hilarious culture clash comedy-adventure as the couple desperately try everything to get back home.

Joy can't let go of her ex, but doesn't seem to be able to fall for the new guy. In the meantime she keeps having casual sex with strangers.

Avi Cohen has just been informed that he is the most average man who ever lived. Overnight, he reluctantly becomes a national icon and instant celebrity. With his wife’s enthusiastic urging, they translate the situation into a business venture that goes surprisingly awry.

The silent routine of 5 Nuns living in the West Bank wilderness is disturbed when an Israeli settler family breaks down right outside the convent just as the Sabbath comes into effect.

The story of Yamin Masika, the “Don Quixote" of Israeli cinema — a director, social activist, and cultural entrepreneur who played a pivotal role in transforming Mizrahi culture from the margins to the mainstream. In the 1990s, after repeated rejections by the Israeli film industry, Masika began creating underground, low-budget films and music videos featuring Mizrahi artists like Avi Bitter, Tamir Gal, Moshe Cohen, Sarit Hadad, and Zehava Ben. Though ridiculed and dismissed by the establishment, these films resonated deeply with audiences who had been excluded from mainstream media for decades, leading to a cultural revolution.