David Strohmaier

Followup movie to the TV series about 250,000 aliens, or "newcomers" as they are known, who have by now settled alongside the humans in California. Most of the newcomers were slaves, and the slave masters are now looking for them. They send Aponso to earth to locate the slaves ready for the aliens to pick them up.

A nostalgic and compelling look into the legendary three camera, three projector process that revolutionized motion pictures and led the industry into the widescreen era.

It's 1999, and as the end of the millenium approaches, people are attempting to find spiritual enlightenment. But a few people want to skip all the work that entails, and a holy Tenktonese relic in the hands of a heretic is giving them a shortcut. But it's not quite as easily controlled as she says.

When detectives Sikes and Francisco are presented with the mysterious death of an Eeno, Matt is stupefied to discover that George rudely snubs the case. He, like most newcomers, reviles the outcast Eenos. As the case unfolds, George has to reassess his prejudices, and George's family help save the city from an alien threat originating in an Eeno waste disposal facility.

A small California farming community gets caught up in the bloody grip of big city crime and corruption.

A 'cine-ramic' roller-coaster ride through the rise, fall and re-birth of projected film.

A comprehensive and fascinating behind-the-scenes look at the restoration process of restoring 3-strip Cinerama for the 1962 film "The Wonderful World of the Brothers Grimm".

A young freelance video journalist and an ex-cop discover a serial killer and track him down.

A young visiting couple from out-of-town, is led on a guided tour of Los Angeles and its environs by a familiar resident (Stanley Livingston) and his wife (Paula Drake), all captured by the panoramic, triple-lensed Cinerama camera. Some popular and some not so well known sights of the city shine in this urban travelogue lark, including the Griffith Observatory, Angel's Flight funicular railway, and a sailboat cruise from San Pedro, culminating in the evening's highlight, a visit to the Cinerama Dome Theater in Hollywood. This was the first film shot in 3-panel Cinerama in 50 years.