Marc Ferrer

A film director for whom everything goes wrong, a psychologist obsessed with her ex-boyfriend, a family threatened by a plague of rats, a production company with a dark secret, nuns and CIA agents. 'Cinemanía' is a choral comedy about several characters who try to find happiness.

Mamántula is the boy everyone wants, but also a giant spider transvesting as a human, fruit of a brief encounter in the Berlin Tiergarten, in an alternate past of brutalist saunas, endless subway corridors and detectives with raincoats and hats. Each of Mamántula's lovers are a new victim of his insatiable appetite for revenge and sperm; and each victim, one more thread of the web with which he intends to apprehend the entire planet. Will Golden Dick be able to stop him? Will a couple of lovebirds with police badges get him? Or will the gay community have to step in and take the law into their own hands?

They are in their thirties but live just as they did in their twenties. They are in love with love but, in their search, they tear each other apart, wandering from ex-girlfriend to ex-girlfriend, from relationship to relationship.

Marcos, an unsuccessful film director, is immersed in the shooting of his new film, a queer giallo, when a series of terrible murders starts to happen in Barcelona.

Marcos and Sofia are two thirty something friends from Barcelona that plans to make a film. But they don't have a penny and everyday life isn't glamorous at all. Marcos falls in love with a mysterious man he saw in the street.

Toñi a trans woman asks a miraculous saint in a church to have a boyfriend, and that is how Lahcen appears in their life, a young Moroccan immigrant who has just arrived in Spain, with whom they will fall in love.

An oracle in the Paris of May ’68 and the back of a stranger in a Madrid nightclub in the early 1990s. Interwoven stories bound by a gentle attraction, as though desire permeated everything and the only law was that of necessity.

A brief tribute to Marc Ferrer's films, made during the shooting of his film "Cut!".