Chang Mei-Yao

A young couple desperately try to keep their love alive, while living in a haunted house.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

On Mother's Day in Taipei, Chen Mo makes a date for dinner with his wife, hoping to bring their estranged relationship back together. While buying a cake on his way home, a car unexpectedly double parks next to his car, preventing his exit.

Rare sword fighting martial arts film from Taiwan.

Tells the story of people, ghosts and foxes between a poignant love story.

Narcotics officer Matsumoto’s investigation into a drug smuggling ring leads him from Tokyo to Hong Kong, where personal ties and painful secrets unravel a complex web of betrayal. As love, family, and justice collide, Matsumoto must face a truth too deep to escape—and a loss too great to mend.