Chang Mei-Yao

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Shuichi, a young doctor working at a hospital in Bangkok, falls in love with the daughter of a wealthy Chinese trader.

Storm over the Yangtze River tells the true story of undercover intelligence agent "Yangtze Number One" and his colleagues in Jianli County of Hubei Province, who risk their lives to carry out the "Dead Bridge Plan" to secure the "Yangtze 180 Blockade". Li Lihua gives an iconic performance as a strong and charming agent of an intelligence unit, engaging in a risky mission to save her unit chief-cum-lover, who is regarded as a traitor but actually is a double-dealing agent against the Japanese occupation. The film garnered four awards at the 1969 Golden Horse Awards, including Best Leading Actor and Best Leading Actress.

On Mother's Day in Taipei, Chen Mo makes a date for dinner with his wife, hoping to bring their estranged relationship back together. While buying a cake on his way home, a car unexpectedly double parks next to his car, preventing his exit.

Rare sword fighting martial arts film from Taiwan.

During the Japanese invasion of China, medical students Sun Yang (Chang Yang) and Xu Ruomei (Bai Luming) pretend to be a doctor and his wife to engage in intelligence work behind enemy lines.

Narcotics officer Matsumoto’s investigation into a drug smuggling ring leads him from Tokyo to Hong Kong, where personal ties and painful secrets unravel a complex web of betrayal. As love, family, and justice collide, Matsumoto must face a truth too deep to escape—and a loss too great to mend.

Kuai Chi, the conductor of a women’s western music band, alertly keeps her distance from men around her. Nonetheless, she eventually succumbs to the charms of A-lang and falls pregnant; she then breaks off her engagement and embezzles money so she can elope with A-lang. Unfortunately, A-lang fails in everything he does, and Kuai Chi persuades him to move and start a new life. However, A-lang has become addicted to excitement…