Directing

Karel Dodal

Born January 28, 1900 · Prague, Bohemia, Austria-Hungary [now Czech Republic]

Died July 6, 1986 · aged 86

No biography available.

Known For

A Cheerful ConcertA Cheerful Concert · 1935
A Cheerful Concert
1935
Movie
"As Prague’s sole animation studio, IRE-Film depended on international models for inspiration; the influences of Disney and the Fleischers are plainly seen in Veselý koncert (A Cheerful Concert), which promotes Telefunken radios while a loose-limbed cartoon orchestra struggles to play amid the wildlife of the summer outdoors." — Kirk McDowell
An Autumn SongAn Autumn Song · 1937
An Autumn Song
1937
Movie
The Play of BubblesThe Play of Bubbles · 1936
The Play of Bubbles
★ 8.01936
MovieAnimation
Color abstract animated movie turns into "Saponia" soap advertisement.
Career of Pavel CamrdaCareer of Pavel Camrda · 1931
Career of Pavel Camrda
★ 10.01931
MovieComedy
Pavel Čamrda works as a clerk at an administrative bureau in Malá Strana. One day as he is listening to wandering minstrels he falls in love at first sight with a charming girl in the crowd. The superior at the bureau, counsel Švarc, takes ill and Čamrda brings him to his home the official papers for him to sign. What a surprise he has when he discovers that the girl who has smitten him is the counsel's daughter Viktorka. The counsel is ill for a long spell and the entire family becomes used to Čamrda's visits.
Everything for a Scrambled Pancake!Everything for a Scrambled Pancake! · 1937
Everything for a Scrambled Pancake!
1937
Movie
"Všechno pro trhanec animates a recipe with anthropomorphic ingredients. Gasparcolor, introduced to the Dodals by experimental animator Oskar Fischinger, is briefly on display. Though Gasparcolor added a new dimension to IRE-Film’s already vibrant animation, the complicated—and expensive—color process brought with it a host of challenges. Because the process required repeated exposures, the workflow had to be altered to allow three color records to be made for each frame. It is easy to see why color was often reserved for a film’s final shot." — Kirk McDowell

Filmography

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