Andi Nachon

A man leaves the hospital. He sets out on a journey, perhaps a final one. Alongside the mystical landscapes drift the verses of Hospital Británico (1986), the last book by Héctor Viel Temperley. And the words of those who have been marked by reading it over the years.

Childhood friends Matías and Jerónimo reach adolescence and experience sexual attraction to each other, before being separated by circumstances. Later, as young adults, they meet again, and the film follows themes of complicated relationships and sexual tensions, as well as issues of homophobia.

Martín, a TV host of 42, has the urgent need of becoming a father. Leonardo, an agronomist of 45 and Martín’s partner for the past ten years, has doubts since he himself was adopted by his parents.

Matías and Jerónimo know each other since they were just kids. Their friendship is a mix of fun and desire, but everything changes the night they go to the carnival and they see how a group of thugs beat a gay performer behind the scene.

Julia has just lost her life partner, Barby. Torn between her grief and a world that is crumbling without her, she strives to preserve the restaurant they built together and her bond with their son León. A relationship now threatened by a wilful grandmother and the return of an absent father.

Matia, a marginal young man, escapes to an island in the River Paraná. In an uncomfortable atmosphere that is not his own, he tries to start a new life, but the tensions his arrival cause take him back to his criminal past and to the idea of having to flee in order to survive.