Papu Curotto

Twelve-year-old Kallpa has one big dream: to be chosen as Ñusta, the sacred princess in her Andean community's Winter Solstice Festival. However, she is barred from taking part because she was born in the body of a boy. As rigid traditions and growing rejection push her out, Kallpa finds a new home and family among a group of local trans women. Even while facing harsh prejudice, this close-knit group wraps Kallpa in real warmth and tenderness, giving her the room to figure out who she is and learn to love herself. Her journey becomes a quiet, resilient fight to live life on her own terms.

A man leaves the hospital. He sets out on a journey, perhaps a final one. Alongside the mystical landscapes drift the verses of Hospital Británico (1986), the last book by Héctor Viel Temperley. And the words of those who have been marked by reading it over the years.

Childhood friends Matías and Jerónimo reach adolescence and experience sexual attraction to each other, before being separated by circumstances. Later, as young adults, they meet again, and the film follows themes of complicated relationships and sexual tensions, as well as issues of homophobia.

Julia has just lost her life partner, Barby. Torn between her grief and a world that is crumbling without her, she strives to preserve the restaurant they built together and her bond with their son León. A relationship now threatened by a wilful grandmother and the return of an absent father.

Matia, a marginal young man, escapes to an island in the River Paraná. In an uncomfortable atmosphere that is not his own, he tries to start a new life, but the tensions his arrival cause take him back to his criminal past and to the idea of having to flee in order to survive.

Matías and Jerónimo know each other since they were just kids. Their friendship is a mix of fun and desire, but everything changes the night they go to the carnival and they see how a group of thugs beat a gay performer behind the scene.