Pablo Salas

Evocation of the human presence and art of the painter Bárbaro Rivas.

Filmed during hard and decisive years of the democratic struggle against the regime of Augusto Pinochet, it is the first film in which a group of Chilean filmmakers, without anonymity try to give a global account of the Chilean situation of those days. The film reflects the vision and personal testimony of its director about his country at that moment.

"Amanda Lear - Live In Concert 1979" is the first live music video title by singer and actress Amanda Lear. Released by VCL Video in 1980, it contained footage from her first tour filmed in Hamburg in 1979. VHS Track listing: "Hollywood Flashback" (Intro), "Black Holes", "Blood and Honey", "Queen of Chinatown", "Enigma (Give a Bit of Mmh to Me)", "Tomorrow", "Follow Me", "Forget It", "Never Trust a Pretty Face", "Fashion Pack". DVD version: "Run Baby Run" (Intro)"La Bagarre", "Black Holes", "Forget It", "Hollywood Flashback", "Just a Gigolo", "Miroir", "Blood and Honey", "Queen of Chinatown", "Enigma (Give a Bit of Mmh to Me)", "Tomorrow", "Follow Me", "Run Baby Run" (Interlude), "Intellectually", "Never Trust a Pretty Face", "Fashion Pack"; Bonus: "L'Interview Confession A L'Elysée Matignon 1978".

Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.

The contrast of the parallel lives of two women personified in a single actress (Delfina Guzmán). Despite the radical differences between their lives, they are intimately connected to each other. Candelaria is a vagabond in Parque Forestal, crazy but happy. In contrast, in a comfortable and luxurious apartment, lives Laura, who is harassed by the greed of her children and her lover, who will not rest until they strip her of her fortune and expel her from the country.

A gang of professional thieves plans how to rob the jewelry store in Bogotá and escape, not imagining that death surrounds them and all because of a red light.

SOMOS + follows a political demonstration by women who rise up with a unified voice against Pinochet’s military regime.

Olguita and Osvaldo are planning to get married, but she imposes only one condition for this to happen: she must own at least one property from his,regardless of its worth.