Cheung Sing-Fei

'Ghostly Mother Blue Flower' Chiu Choi-wan has abducted a group of virgin boys and girls for the nourishment of her mind and soul. Alarmed by the abduction, Yiu But-fan, Kau Suet-mui and Hung Tin-bo make a night raid on the Hanshan Temple to release the children and set a torch to the bandit lair. Fuming over the arson, Chiu casts a spell on Kau, who kills the father of Chuk Yuk-heung in her cross-dressing persona as Yiu. Confronted by the angry Chuk clansmen at the Chuk Fortress, Yiu tries futilely to defend his innocence. Believing that Chiu has masterminded the framed murder, the fugitive infiltrates the White-bone Yinyang Cave where he finds himself attacked by Kau and Chiu. Demon-vanquishing Magic Monk, Chuk and Hung helped Yiu wrestle Chiu, who fled. Kau is nursed back to health by the monk and joins the fellowship in their quest to annihilate the demon. With all her venomous needles forfeited to the monk, Chiu gets her comeuppance, slain by Chuk's flying dagger.

Enter the dragon villain, Shek Kin, is the Leader of the Black Centipede clan, a ruthless gang who terrorize the good people of Fuzhou, Walter Tso and Connie Chan are taught some tricks from---old Sam the Seed himself on how to bring down the Black Centipede clan.

Hong Kong horror comedy from 1957.

Red Kid abducts Monk Tripitaka to turn his flesh into a feast to treat his mother Princess Iron Fan. Monkey King is subdued. Red Kid is taken as a disciple of the Goddess of Mercy. As Monk Tripitaka and his disciples reach the Flaming Mountain, they are unable to pass through it. The monk sends Monkey to borrow the princess's magic fan to disperse the fire. But the Princess still bears a grudge over her son’s destiny, wielding her fan to slap Monkey away. Monkey transforms into a bug, landing in her tea and hitting her stomach. In pain, the Princess answers his request, but she lends him a fake fan. With his request turned down by Ox King, Monkey disguises as Ox to beguile the wife and get the fan. Ox King transforms into Pigsy to snatch back the fan. Taoist God Pagoda arrives to subdue Ox in the company of Red Kid. Ox finally relents and yields the fan, which extinguishes the flames and sees the monk and his disciples safely off to a new phase of their journey.

Historical Drama

An adaptation of Tong Tik-sang's now-legendary Cantonese Opera piece, the film features divas Yam Kim-fai and Pak Suet-sin (left with Yam), who play the story's lead lovers, and Lan Chi Pak, the sinister official who tries to break up the relationship. Leung Sing-po plays the pair's friend as well as the mysterious 'man in yellow' who exposes plans to separate the couple.

Hong Kong horror movie from 1961.

Hong Kong fantasy film directed by Chiu Shu-San.

Ye Hui and Jiang Man were originally a loving couple. One time Hui received a 1000 dollar bonus, and his colleague Zhu Ge-Kong paid a plan to hide the bonus in the shoes and prepared to spend it on his own. After Man found out, he took the money away, and the two quarreled about it. , Hui asked for a divorce in anger, but he was not allowed to move away, so he only hung a tent in the bedroom as the "Chu River and Han Jie". After that, Huichang fought with his wife, even pretending to have brain cancer, and tricked Man into taking care of him. , Unexpectedly, it was seen through by Man again. Manager Hong of Hui Company and Manager Mei of Man Company reunited, and the two companies merged together, and Man promoted the director, making it difficult for Hui and Kong. After the manager of Man Demei persuaded him, he witnessed the affection of others’ husbands and wives. Deeply ashamed, reconciliation with Hui is as good as ever.

A Hong Kong drama

The Monkey King, Sun Wu-Kong (Connie Chan), must fight her way into the Dragon Palace to gain a magic pearl that can help him free his master Tripitaka from the evil designs of the Albino Rat Spirit.

Chinese opera

Lung Kim-fei and Kau Yuk-wah seal their nuptials following the reconciliation between their masters, Ku Hon-wan and Suen Bik-ling, but the auspicious day is marred by the assassination of Suen. Eager for revenge, Kau Yuk-kuen visits Ten Thousand-hand Lohan who reveals the killing weapon to be a silver thunderbolt shuttle and supplies a list of martial arts suspects. On her way to track down Lau Piu-piu, the helmswoman of Heavenly Fragrance Sect, Yuk-kuen is abducted by Auyeung Ho and the protege of the Three Invincible Palm.

Written by the great librettist Tong Tik-sang, and featuring Lee Tit's elegant direction and superb performances from Yam Kim-fai and Pak Suet-sin, "Butterfly and Red Pear Blossom" brings Cantonese opera to cinematic life. The film features two lovers who have never met in person but whose poetry over three years has subtly declared their unyielding love. Yam's minimalist acting style enables her to convey dynamic passion as well as step about the stage with ease and accomplish the image of a resolute, yet gentle, scholar. Pak meanwhile defies a prime minister with pride and dignity.

The Prime Minister's daughter, Kong Yeuk-mui, is attracted by the private tutor, Chow Yuk-pui. However, the Prime Minister despises Pui's lowly background and banishes him. Kong disowns her father, hoping to marry Pui when he achieves honours in the imperial exam. Meanwhile, Mui's brother Tak-chu prepares for the exam under Pui's tutorship. Pui and Chu, take the money Mui gives them and head for the capital. Unfortunately, Pui has himself fallen ill. Considering that the examination day is approaching, he gives all the travel expenses to Chu and urges him to set off. Mui resides at Loquat Alley, longing for Pui's honourable return. One day, she comes across a beggar, when she recognises it is Pui, her heart breaks. Chu who has newly been appointed Top Scholar, arrives and tells her sister the whole story. Nevertheless, Pui's sister is chosen to be the imperial concubine. Benefiting from this bond, Pui becomes the Royal Brother and works as the court secretary and weds Mui.