Pak Suet-Sin

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

After losing his job and his girlfriend, an ordinary worker becomes a star pimp in Hong Kong.

Early ghost film.

Rich heiress Man Yu-sau disguises as a flower peddler in search of a genuine lover; her poor cousin Man Bik poses as a rich heiress to ensnare a husband. The two fall in love with the Wu brothers Lap-ming and Lap-tak respectively. The Wu matriarch despises Yu-sau for her humble background. However, Lap-ming elopes to marry her while Lap-tak marries Bik. The disguises are duly exposed, to the mother's embarrassment.

Koo Tai-cheung is the boss of Tai Luen Company. His son, Koo Man-kei, has just returned from studying overseas. Though he wants to be a teacher, his father forces him to work in the company where he meets Ting So-ha, a secretary. They become intimate, arousing the displeasure of cousin, Lucy Pak, whom Tai-cheung has secretly chosen to be his daughter-in-law.

Ghost story from Hong Kong directed by Ng Wui.

An adaptation of Tong Tik-sang's now-legendary Cantonese Opera piece, the film features divas Yam Kim-fai and Pak Suet-sin (left with Yam), who play the story's lead lovers, and Lan Chi Pak, the sinister official who tries to break up the relationship. Leung Sing-po plays the pair's friend as well as the mysterious 'man in yellow' who exposes plans to separate the couple.

Upon the death of an elderly master, a family has a dispute over the distribution of an inheritance / jewelry and are haunted by ghosts.

Written by the great librettist Tong Tik-sang, and featuring Lee Tit's elegant direction and superb performances from Yam Kim-fai and Pak Suet-sin, "Butterfly and Red Pear Blossom" brings Cantonese opera to cinematic life. The film features two lovers who have never met in person but whose poetry over three years has subtly declared their unyielding love. Yam's minimalist acting style enables her to convey dynamic passion as well as step about the stage with ease and accomplish the image of a resolute, yet gentle, scholar. Pak meanwhile defies a prime minister with pride and dignity.

A Chinese screen opera

Mung-wan (Yam Kim-fai), a huge spendthrift, followed the ill advice of his buddy (Leung Sing-po) to cheat cash out of his millionaire uncle in San Francisco with an alleged marriage. When told that the rich man will be back in town within days, they resort to asking their destitute tenant Man-wai (Pak Suet-sin) and the newborn in her arms to pose as Mung-wan's wife and son.

The Prime Minister's daughter, Kong Yeuk-mui, is attracted by the private tutor, Chow Yuk-pui. However, the Prime Minister despises Pui's lowly background and banishes him. Kong disowns her father, hoping to marry Pui when he achieves honours in the imperial exam. Meanwhile, Mui's brother Tak-chu prepares for the exam under Pui's tutorship. Pui and Chu, take the money Mui gives them and head for the capital. Unfortunately, Pui has himself fallen ill. Considering that the examination day is approaching, he gives all the travel expenses to Chu and urges him to set off. Mui resides at Loquat Alley, longing for Pui's honourable return. One day, she comes across a beggar, when she recognises it is Pui, her heart breaks. Chu who has newly been appointed Top Scholar, arrives and tells her sister the whole story. Nevertheless, Pui's sister is chosen to be the imperial concubine. Benefiting from this bond, Pui becomes the Royal Brother and works as the court secretary and weds Mui.