Tseng Yun-fang

Muzi, 22, comes home to Hangzhou for Chinese New Year, where she plays her roles as a daughter, a half-sister, and a girlfriend. Roaming in this city that feels so familiar yet distant, Muzi searches for a place where she belongs.

In a crumbling house on the edge of Taipei, two brothers drift through odd jobs, messy love, and quiet yearning for a life that feels like their own.

Xinyuan films in her personal essay film Jet Lag is her trip from Vienna to China. The hazmat suits on the aeroplane and the layers of tape sealing off each room in the quarantine hotel conjure up images of crime scenes or medical thrillers, although once she does gymnastics on the bed, the mood immediately shifts.

A disabled girl Candy and a penny arcade staff Bae won the jackpot that night as they hit the triple seven. They were trapped in the bitter reality at the age when they both long for the coming of a bright future. A bag full of tokens was all they had in order to leverage their future.

The River Spirit residing in the river resolves to change its form by attempting to refine into a human, a species with great adaptability. Dancing with the garbage in the river, which contains remnants of hormones and dopamine born of desire, the River Spirit acquires a completely new life.

Taiwan, 1980s. A hot summer day, watermelon juice, and celluloid dreams fuel 15-year-old Ming's sexual awakening.

Xiangning's only son Zhongze shows abnormal behaviors and claims he is the incarnation of god, Xiangning is convinced he can be modified by force of Lien-Shi, her religious group. With enormous stress and obsession, she enters into a mysterious space.