Joan Miró

Umbracle

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.

D’un roig encès: Miró i Mont-roig

Through D'un roig encès: Miró and Mont-roig Joan Miro Explains the genesis of his work and the inspiration that came from spending long seasons, for 65 years, in Mont-roig (Baix Camp).

Miró. Litographie d'une affiche

Miró: Theatre of Dreams

A biographical documentary on Spanish painter and sculptor Joan Miro (1893-1983), renowned for his part in the 1920s surrealist movement in Paris in his exploration of the inner world of dreams and the unconscious in a range of works. The documentary traces his involvement at the age of 85 in putting together a strongly political theatrical piece with young actors under the banner of Claca theatre, a theatre ideally aimed to translate to performance anywhere and as a surreal vision of traditional Catalonian folk culture.