Cor Witschge

Acting

Cor Witschge

Born August 5, 1925 · Amsterdam, Noord-Holland, Netherlands

Died March 13, 1991 · aged 65

Cornelis (Cor) Witschge (Amsterdam, August 5, 1925 — Terschelling, March 13, 1991) was a Dutch actor. He played Pipo the Clown in the original television series between 1958 and 1980.

Known For

The LiftThe Lift · 1983
The Lift
★ 5.81983
MovieHorrorThriller
A lift technician finds himself drawn into a web of mystery and peril as he investigates the perplexing deadly accidents occurring in the elevators of a new office building.
Q & Q De FilmQ & Q De Film · 1978
Q & Q De Film
1978
Movie
Shadow of VictoryShadow of Victory · 1986
Shadow of Victory
★ 5.41986
MovieWarDrama
During World War II, two members of the Dutch resistance share the same goal but use very different methods to reach it.
De klop op de deurDe klop op de deur
De klop op de deur
★ 8.0
Movie
As years pass, the Craets-Goldeweyn family must cope with the disappearance of the familiar and the inescapable new that imposes itself.
The Silent PacificThe Silent Pacific · 1984
The Silent Pacific
★ 9.01984
MovieDrama
Unrelenting pessimism dominates this slow-paced, dark film, the debut feature from director Digna Sinke dedicated to an archetypal born loser named Marian (Josee Ruiter). Marian is a journalist who has been working in Latin America and who arrives home just after her father dies to find out that the man she had married for purely political reasons might be deported because the authorities found out he was not living with her. Meanwhile, Marian is upset that her mother and sister are keeping her mentally handicapped brother in an institution, and she goes there to get him released into her custody -- a mistake it turns out. He is actually worse off with her, and vice-versa. On top of everything, Marian cannot break away from the depression she feels over a tragic incident that happened while she was in Latin America -- and anything she does is colored by that moment from the past. These burdens become almost too much to bear, both for Marian and the viewers.
AliciaAlicia · 1974
Alicia
★ 5.01974
MovieDrama
Alicia, a bored housewife, leaves her husband and children in search of adventure.
The KnifeThe Knife · 1961
The Knife
★ 5.61961
MovieDrama
A boy is resentful of his mother's budding romance with the best friend of her late husband, and is torn and confused about his emerging feelings for Toni, a young girl in his neighborhood. His fascination with an antique Oriental knife leads him to steal it and he uses it to try to impress Toni while at the same time trying to break up his mother's relationhip.
Pipo de Clown en de Piraten van ToenPipo de Clown en de Piraten van Toen · 1975
Pipo de Clown en de Piraten van Toen
★ 7.51975
MovieFamilyAdventure
A circus is traveling across the country, Circus Pipo to be precise. When Pipo, Plom, and Klukkluk perform, a big scary man takes a keen interest in Plom and especially her ventriloquist dummy. When the dummy is stolen, the trail leads to the harbor. It turns out that the big scary man has kidnapped the puppet. Pipo, Plom, and Klukkluk follow the man onto the ship and get locked up in the hold. When they are released, they are captured by the crew, who turn out to be pirates. How did Pipo end up here again? Lubbeduh, the pirate captain, stole the puppet because it resembles his lost son, Takko. Lubbeduh takes our friends to his island, the Island of Yesteryear.

Filmography

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The Silent PacificThe Silent Pacific · 1984
The Silent Pacific
★ 9.01984
MovieDrama
Unrelenting pessimism dominates this slow-paced, dark film, the debut feature from director Digna Sinke dedicated to an archetypal born loser named Marian (Josee Ruiter). Marian is a journalist who has been working in Latin America and who arrives home just after her father dies to find out that the man she had married for purely political reasons might be deported because the authorities found out he was not living with her. Meanwhile, Marian is upset that her mother and sister are keeping her mentally handicapped brother in an institution, and she goes there to get him released into her custody -- a mistake it turns out. He is actually worse off with her, and vice-versa. On top of everything, Marian cannot break away from the depression she feels over a tragic incident that happened while she was in Latin America -- and anything she does is colored by that moment from the past. These burdens become almost too much to bear, both for Marian and the viewers.

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