Niku Kheradmand

In modern day Iran, a female attorney fights for the custody of her seven year old diabetic son following a divorce from her husband. When the courts rule against her, she takes desperate actions that lead to tragic events.

Kamran and Moluk, middle-aged siblings, live penniless in the family's Tehran mansion, selling furniture to pay expenses. Their brother, who owns the house, has died suddenly, and his widow, Forugh, is coming from the provinces to visit. Kamran writes an elaborate script and hires a troupe of five actors to be the household servants. The purpose of the charade, which will seem real to Forugh, is to drive her mad, perhaps to suicide, so that Kamran and Moluk can inherit the house. The play is elaborate, Forugh is fooled and terrified, and the police can't substantiate her wild claims. She appears insane to them. All is headed for the mysterious last act.

The story recounts Abedzadeh's encounter with a female musician at a wedding, where her suspicious behavior leads others, especially Abedzadeh's wife, to suspect that there had been prior interactions between them and that Abedzadeh had previously experienced a secret marriage. This suspicion escalates to the point where the footballer's wife leaves home, and...

Heshmati happens to find a golden statue while digging a well. He reckons that he's blessed forever and takes the statue to his apartment. Once it enters the apartment, the personality of the residents is changed, and a severe struggle to seize the statue begins.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

A scientist has to face many hurdles to be able to continue his work.