Lawrence Wong

Jamie re-encounters his old school friend, Kevin, who has been suffering from depression, and must make a choice between following his heart or society.

Set during the 10th anniversary of Hong Kong's reunification with China, FOG tells the story of Wai, who suffers from a rare amnesia that wipes his memory entirely clean, as he attempts to restart his life and embarks on a journey of self-discovery and redemption.

Wong's no-budget indie (dreamt up in a night, shot in a week) tells four distinct stories which intersect in the manner of Mystery Train. They range from character-based comedy (a young couple nervously venture into a 'love hotel' for the first time) to Grand Guignol melodrama (a Filipina maid seeks revenge on her two-timing lover - the actress being the director's mother's real-life maid).

Stuck in a Christian 'rehabilitation' camp, Ming recalls his double life, a whirlwind of sex and drugs as a rent boy, and a sedate, romantic life with the older and more conservative Yen. Secrets and lies haunt their relationship, as Ming's mother confronts her son's sexuality in a most extreme fashion and Yen tries to get Ming to give up hustling.

A rebellious Chinese artist faces challenges from the police, art dealers, and his peers as a documentary film maker records his process.