Mahjabin Reza Chowdhury

Ayna is an actor, and the prison is his stage. Unable to pursue his passion in a rigid society, he turns real life into his theater—taking money from the powerful to serve their prison sentences in their place. Everything changes when he falls for the girl next door, inspiring him to pull off one final swap and leave the dark trade forever. But his last performance plunges him deep into a treacherous rabbit hole. To survive a merciless system and break free from a criminal game he helped build, this underdog must execute the ultimate escape.

This is a story of two friends meeting after a long time. It begins with a great deal of nostalgia shared between two friends. But as it unfolds, we see how relationships tend to be defined by the politics of the day. We find friendship and enmity intertwined into one complex reality

Fourteen-year-old Naima longs to earn money for her poor Bangladeshi family, but her unrivaled artistic talent is of little use. When her ailing father is at risk of losing his prized bicycle rickshaw to loan sharks, she disguises herself as a boy and attempts to drive the rickshaw herself. Naima crashes the rickshaw, threatening the family's sole livelihood.

Filmmaker-actor couple, Tithi and Farhan, are subjects of criticism and trolls for not taking baby in a patriarchal society. Tithi doesn’t succumb to the pressure of social validation and decides to have a baby when the time is right for her, but the question never ends for her.

Three bachelors living together and an unmarried girl living with her worried mother become part of a series of interesting events as one of the bachelors and the girl start to meet each other, but always without the chance to talk.