Aedy Moward

It tells the story of an Indonesian revolutionary who falls in love with one of his Dutch prisoners.

Agus moved out of his huge house because his father, Raden Mas Sudewo, intended to marry Rahayu after his wife's death.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

Even though he has become successful with many fans, Rhoma remains modest, is still religious and listens to his parents. But Ida, a fan of his, has been sending more than 100 letters to him. Rhoma sympathises with her and falls in love. Meanwhile, Ida’s mother is a poor widow who sells gado-gado (traditional Indonesian salad). Rhoma’s mother wants him to marry another girl, Mira, who has a higher social standing. Rhoma rejects his mother’s choice and both mother and Mira, mock Ida and even tries to consult a shaman. Rhoma does not like Mira’s "modern" attitude. When Mira has an accident and Ida helps her, her attitude changes, and Ida and Rhoma end up marrying each other.

Ati's teacher who lives with her mother is a music teacher. One day she hears the sound of a flute coming from a village. Then she gets to know Irwan, the heartbroken flute player. Then love is established. However, Irwan's boss who sees Ati's talent takes her to Jakarta. Misunderstandings due to jealousy occur until finally Ati finds out that the man is her biological father.

After the revolutionary war, Leman is asked by Barjo to join him in collecting donations from businessmen. Some donate while others do not. But Leman gets into a fight with one particular man who refuses to donate and kills him.

Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.

The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.