Chin Chuan

Taiwanese romance film.

A family gathers to be with its dying father. The reunion brings to the surface old rivalries.

Taking place in 1941, Love in a Fallen City centers on Pai, a young woman who has been ostracized by her family for divorcing her rich husband. A local match-maker, Mrs. Hsu, takes pity on Pai and decides to bring her to Hong Kong, under the guise of employing her as the Hsu's nanny, but in reality to introduce her to Fan. Pai and Fan seem to hit it off, but Fan's refusal to marry Pai soon sours things. However, as the Japanese begin to invade Hong Kong, the two begin to realize their true feelings for each other.

Hong Kong Superman is a Hong Kong Martial Arts movie.

An action-packed tale of conspiracy and treachery, where our heroes must form an unlikely alliance to try and stop a corrupt minister from betraying the Empire.

Love, Love, Love is a Taiwanese film, released in 1974 by Central Motion Pictures Corporation and spoken in Mandarin. It stars Charlie Chin as Li Ai-fang and Brigitte Lin as Lin Chuen-chuen. Chin Chuan is co-starring in this film. It was written, composed, and directed by Liu Chia-chang.

The plot follows a group of women who struggle in Hong Kong, most of them illegal immigrants from mainland China.

A romantic melodrama from Lung Kong that is more commercially minded than his earlier films, starring Jenny Hu.

Iron Bones, about a young lad that learns a secret Tai Chi type of style called the Wind Palm, where you can kill with chi blows. Sure, it's a little crazy, but the acting is a big cut above most martial arts movies and the sword fights are pretty good. And Sam the Seed shows up, sans wig, as a dirtbag Shaolin monk after the book. Han Ying Chieh, the big boss, is one of the thugs in the background.

Another Cathay Wu Xia flick featuring Melinda Chen Manling.

Filmed on the occasion of the 28th anniversary of the bombing of Hiroshima, Hiroshima 28 was the first all-Hong Kong crew to make a feature in Japan. Lung Kong anchors a bittersweet melodrama in the historical milieu in the months following the horrific events of August 6, 1945. Josephine Siao—a star whose career had become synonymous with the filmmaker’s work over the past decade—plays a young tour guide to a Hong Kong reporter researching the tragic effects of the atom bomb, their journey forming an odyssey through the city’s ruins.