Julia Katharine

Ana is a dedicated housekeeper, considered "part of the family". When her employer demands cod for an important dinner, and there is none at home, the desperate search for the ingredient turns into anxiety, pushing Ana to her breaking point.

The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.

Edgar Wilson, a roadkill collector in rural Brazil, dreams of escaping his small-town existence with Nete, the love of his life. When Nete decides to join her family in an apocalyptic cult, Edgar finds himself at a crossroads. With the world on the brink of destruction, Edgar and his unlikely companion Tomás – a disgraced and excommunicated priest – embark on a dangerous road trip through a landscape plagued by chaos and despair.

Cleo, a 43-year-old astronomer who is pregnant and emotionally fragile, is surprised by a visit from Nalu, her half-sister of Indigenous descent. The encounter reveals dark secrets and stirs up fragmented memories in Cleo, leading the two of them down a path of mysterious investigations.

Thais, Nathalia, Julia and Tetembua decide to open “The Brazilwood Store”, a men’s escort company as a solution to womxn's desires in search of casual sex.

On a sunny day during quarantine, in the midst of a global pandemic, Vanessa and Virginia make choices for their lives.

Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.

While Sergio Toledo's film Vera is widely recognized as pioneering for its portrait of a young transgender man struggling to find their place in Brazilian society, its narrative and lead performance by Ana Beatriz Nogueira are perhaps open to scrutiny in the year 2021. In this new video piece, Julia Katharine invites her good friends Claudia Campolina & Daniel Veiga, both of whom are active in the Brazilian film industry and cinephiles in their own right, for a discussion about how the film should be newly received today.

Julia Katharine, a Japanese-Brazilian trans woman, opens her door to the filmmaker. Before day breaks, she evokes her relationship with her parents, a young love that never was, her sleepless nights and her passion for cinema.

Close to turning forty and away from his job as a librarian due to depression, Marcos needs to take care of Baby, his sister's pet dog. Isolated in an apartment in the city center, Marcos relies on the support of analyst Dr. Juliana R., who sees him in therapy sessions. Together, they look for ways to deal with the grief over the death of his ex-boyfriend, Pedro, and the arrival of a new love, Gabriel. Baby, a special hairless dog of Aztec origin, will redefine his relationship with the world of the dead and the living as well.

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

Strike on the red carpet.

Isabella, Jonata and Pedro are stuck at home for a weekend. Distressed by the state of the world and financial difficulties, the trio decides to go out on the streets of a dystopian São Paulo to relax, which allows them to meet many individuals in a similar situation, causing tragicomic and fantastic situations.

After being born Georgina in the outback of Bahia, she became known as Diva Rios in São Paulo’s Boca do Lixo and Rio de Janeiro’s Lapa, as well as Suzy King in the nights of Copacabana, but died as Jacuí Japurá on the border of the United States and Mexico. Four names for just one woman: fascinating, moody and very creative. Singer, songwriter, actress, ballet, folk, burlesque and exotic dancer, snake charmer and fakir were only some of the artistic endeavors she tackled during her life. Found dead on the trailer where she lived in August of 1985, in California, she left behind stories without conclusion, lost remainings of her troubled trajectory and a trail of mystery. Three decades later, two historians gather fragments of her tale with the goal of piecing together the complex puzzle that was her life. Actresses, singers, musicians and performers join them to rescue the poetic aspects of her unique personality. A question resounds throughout the entire movie: Suzy King, who are you?

Tan needs to cry.

40 years after the beginning of the AIDS pandemic, seven artists and an activist doctor, all of them living with HIV, offer new images and perspectives to deal with serophobia in Brazil.

It looks like you're virtual, I haven't seen skin in a while.

Silvia is a middle-aged filmmaker in crisis with her life. The same night that she is surprised by the visit of the ex-wife, who left her a few years ago, meets another woman who fascinates her.

Women writers intertwine their work in the form of an anthology in this feature film. The scripts are adapted from tales written by Brazilian women at the end of the 20th Century to create four shorts filmed by directors of groups under-represented in the cinematographic industry of Brazil of 2024. Themes such as death, healing, the body, marriage and desire are tantamount in stories in which women revisit their past in search of liberty.

An employee at a film archive and his character imagine a film to make after work. With the voices of Eduardo Gomes, Gilda Nomacce, Julia Katharine, Juliana Albuquerque, Lucas Wickhaus and Tuna Dwek.

A trans woman, Anjélica, waits in her apartment while Lúcia changes the lock on her front door. While the lock is being changed, the two women converse and we learn more about their situation.