Andrea Salerno

A 'period' piece set in the hot summer of 2011, in the midst of the Berlusconi era. The life of a quiet corner market is shaken when the mayor decides to close it down. The only political organization people can turn to is the local section of the Democratic Party, which is separated from the market by a concrete wall, built to allow the construction of the subway.

Corrupt and sleazy entrepreneur Cetto La Qualunque comes back to Italy and "jumps into politics" lest his law-abiding opponent, Giovanni De Santis, is elected as mayor.

An Italian doctor starts a new life in Kenya to escape the city, but life catches up with him when an old friend offers his assistance along with his wife, who happens to be an old lover.

In 1938 a group of fascists led by the general Gaetano Maria Barbagli decides to invade the planet of Mars.

Cetto and its city council were arrested, but in prison the conspiratorial former mayor makes no earning name as the gratitude of the powerful secretary. These decide to replace some MPs mysteriously killed precisely with Cetto and two other characters: Rodolfo Favaretto and Frengo Stop

The life of Italian journalist and writer Oriana Fallaci.

A man wakes up from a coma that has lasted since 1984.

Mario Cavallaro is 50 and lives in the same district of always in Milano and fears changes until arrives Oba, a Senegalese seller of socks so he decides to kidnap Oba and take him back to Senegal.

On the 20th anniversary of Federico Fellini's death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of his personality, employing interviews, photographs, behind-the-scenes footage as well as his drawings and film clips.

A documentary featuring archival footage of Pasolini discussing his views on language, film, and modern society.

Satirical television program aired from November 4 to December 18, 2002. The transmission was intended to shed light on a case (of course fantasy) of a missing person, Mario Scafroglia. The hypothesis was that the man had voluntarily lost track of himself, which offered in each episode new food for thought to deepen in a satirical way themes of current affairs, politics and costume, in an attempt to understand the reasons that had driven Scafroglia to flee.